Vaishnava Padavali – The songs composed by the 44 Acharyas are not ordinary songs. When these are pronounced by pure Vaishnavas. Then they are actually effective in awakening the dormant Krsna consciousness in every living being.

Vaishnava Kirtan or congregational chanting and singing of devotional melodies that exalt and honor the Supreme Lord, particularly Lord Krishna and Lord Chaitanya Mahaprabhu, is a happy and spiritually uplifting Vaishnava traditional activity. Devotees gather to chant the Holy Names and experience the ecstasy of divine love throughout this practice, which is a lively and soul-stirring manifestation of devotion.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 06 MARCH, 1966 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 82 VOLUME NUMBER: Vol. XXXI, No.10 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-81 ARTICLE: 1. Smt. Indira Gandhi 2. The Three Kings 3. The Tashkent Declaration 4. Lure o f the Mountains: Mountaineering Equipment AUTHOR: 1. Nirmala Swamidoss 2. Nora Secco De Souza 3. Veritus 4. Maj. N. Kumar KEYWORDS : 1.Indian Revolution,Childhood,Adults,Nehru 2. Rome,Quelim,Faith,Weather 3. Prime Minister,India,Pakistan,Tashkent 4. Mountaineering,Clothing,Boots,Attitude Document ID : APE-1966(J-M) Vol-I-10 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-04-1943 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 82 VOLUME NUMBER: Vol. VIII, No. 9 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 21-80 ARTICLE: 1. In the Eastern Skies… 2. An Ideal Realized 3. Educated Girls and Marriage AUTHOR: 1. Wrg Commander, A. J. M. Smyth, D. F. C. 2. Dr. B. V. Narayanaswamy Naidu 3. R. Mathalone KEYWORDS: 1. R. A. F., Army, Sky 2. Government, Five Years Plan, Marx 3. Educated Women, Clothes, Fashions Document ID: INL-1942-43 (D-J) Vol -I (09)

This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter’s English translations of his spiritual verses, Gitanjali, and took mutual interests in each other’s works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.

In the postwar decades, sexual revolutions - first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill - altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.