Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.

In his acclaimed #1 New York Times bestseller, Mark R. Levin explores the psychology, motivations, and history of the utopian movement, its architects—the Founding Fathers, and its modern-day disciples—and how the individual and American society are being devoured by it. Levin asks, what is this utopian force that both allures a free people and destroys them? Levin digs deep into the past and draws astoundingly relevant parallels to contemporary America from Plato’s Republic, Thomas More’s Utopia, Thomas Hobbes’s Leviathan, and Karl Marx’s Communist Manifesto, as well as from the critical works of John Locke, Charles Montesquieu, Alexis de Tocqueville, and other philosophical pioneers who brilliantly diagnosed the nature of man and government. As Levin meticulously pursues his subject, the reader joins him in an enlightening and compelling journey. And in the end, Levin’s message is clear: the American republic is in great peril. The people must now choose between utopianism or liberty. President Ronald Reagan warned, “freedom is never more than one generation away from extinction.” Levin agrees, and with Ameritopia, delivers another modern political classic, an indispensable guide for America in our time and in the future.

This edited collection offers an exploration of American literature in the age of Trumpism—understood as an ongoing sociopolitical and affective reality—by bringing together analyses of some of the ways in which American writers have responded to the derealization of political culture in the United States and the experience of a ‘new’ American reality after 2016. The volume’s premise is that the disruptions and dislocations that were so exacerbated by the political ascendancy of Trump and his spectacle-laden presidency have unsettled core assumptions about American reality and the possibilities of representation. The blurring of the relationship between fact and fiction, bolstered by the discourses of ‘fake news’ and ‘alternative facts,’ has not only drawn attention to the shattering of any notion of ‘shared’ reality, but has also forced a reexamination of the purpose and value of literature, especially when considering its troubled relation to the representation of ‘America.’ The authors in this collection respond to the invitation to reassess the workings of fiction and critique in an age of Trumpism by considering some of the most recent literary responses to the (new) American realit(ies)—including works by Colson Whitehead, Ben Winters, Claudia Rankine, Gary Shteyngart, Jennifer Egan, and Steve Erickson, to name but a few—, some of which were composed in the run-up to the 2016 election but were able to accurately and incisively imagine the world to come.

As nations reel from the effects of poverty, inequality, climate change and the aftermath of the COVID-19 pandemic, it feels as though the world has entered a period characterized by pessimism, cynicism and anxiety. This edited collection challenges individualized understandings of emotion, revealing how they relate to cultural, economic and political realities in difficult times. Combining numerous empirical studies and theoretical developments from around the world, the diverse contributors explore how dystopian visions of the future influence, and are influenced by, the emotions of an anxious and precarious present. This is an original investigation into the changing landscape of emotion in dark and uncertain times.

It has become clear that utopian thought has returned to the political scene. Featherstone traces the history of utopia and also discusses a number of contemporary case studies. This examination of the nature of utopian politics in the twenty-first century will be essential reading for political scientists and sociologists.

Warning! This book is full of alternative facts! Donald Trump: 45th President of the United States, businessman and television personality, iconoclast and polarizer. This anthology is a time capsule which captures the hopes and fears, thoughts and ideas of writers from all over the world who were asked to share a story in which Trump is the muse. He does not have to be the main character, however, the story must show the type of world which might result from his policies. The many worlds created includes: * an app which requires self-sacrifice to prove that one is a true American; * a wizard who can make dreams come true in exchange for good PR; * a smart politician who created the wall to stop the zombies; * Secret Service agents making difficult choices to save America; * medieval kings demanding loyalty from both men and nature; . . .along with people trapped in apocalyptic worlds containing vampires, a never ending trivia game show, clones, aliens and more! Prepare to laugh, cry and become angry enough to fire the people around you (or maybe not)! The fantastic writers selected for this book includes: Shaun Avery (UK), Emad El-Din Aysha (Egypt), Marleen S. Barr (USA), Ross Baxter (UK), Jared Bennett (USA), Gustavo Bondoni (Argentina), Timothy Carter (Canada), Eli Cranor (USA), Maggie DeMay (USA), Livia Finucci (UK), Bryan Grafton (USA), G. Gray (UK), Jacob Guyon (USA), Mathias Jansson (Sweden), Koom Kankesan (Canada), Joanna Koch (USA), Matthew Kresal (USA), Art Lasky (USA), Michael Manzer (USA), Chris McGrane (Australia), Melissa R. Mendelson (USA), Will Morton (USA), Ira Nayman (Canada), E. Reyes (USA), Aaron C. Smith (USA), Brian J. Smith (USA), Priya Sridhar (USA), Ramona Thompson (USA), DJ Tyrer (UK), Wondra Vanian (USA/UK), Paul Williams (Australia) and Emenual Wolff (USA).

Bringing together scholars from art history, visual studies, and related disciplines, this edited volume asks why Trumpism looks the way it does and what that look means for American—and global—society. Grouped into six categories, the essays in this volume tackle some of the most perplexing—and urgent—aspects of the Trumpist visual project. Two of the most striking aspects of that project are its use of novel commodity forms, including the iconic red baseball caps, as well as its embrace of social media. Trump’s outlandish persona and striking physicality have lent themselves to caricature both from his critics and, perhaps more surprisingly, his supporters. That physicality—as well as his movement’s hearkening back to a (mostly imagined) era of mid-twentieth-century prosperity—has also brought gender and the body into sharp focus. Perhaps second only to the aforementioned red hat is Trumpism’s vigorous use of interventions into public space, including traditional campaign signs as well as flags and other ad hoc visual and architectural materials. Finally, there were the events of January 6, 2021, when many of Trumpism’s most outré visual and cultural preoccupations exploded from the shadows onto television screens across the country. Taken as a whole, the essays in this book examine Trumpist visuality from the seemingly trivial to the starkly horrifying, as well as offering a measured sense of the various resistances and responses that have characterized artistic responses to Trump from the beginning of his prominence. The book will be of interest to scholars working in art history, visual culture, American studies, and cultural and media studies.