In Uses and Abuses of Moses, Theodore Ziolkowski surveys the major literary treatments of the biblical figure of Moses since the Enlightenment. Beginning with the influential treatments by Schiller and Goethe, for whom Moses was, respectively, a member of a mystery cult and a violent murderer, Ziolkowski examines an impressive array of dramas, poems, operas, novels, and films to show the many ways in which the charismatic figure of Moses has been exploited—the “uses and abuses” of the title—to serve a variety of ideological and cultural purposes. Ziolkowski’s wide-ranging and in-depth study compares and analyzes the attempts by nearly one hundred writers to fill in the gaps in the biblical account of Moses’ life and to explain his motivation as a leader, lawgiver, and prophet. As Ziolkowski richly demonstrates, Moses’ image has been affected by historical factors such as the Egyptomania of the 1820s, the revolutionary movements of the mid-nineteenth century, the early move toward black liberation in the United States, and critical biblical scholarship of the late nineteenth century before, in the twentieth century, being appropriated by Marxists, Socialists, Nazis, and Freudians. The majority of the works studied are by Austro-German and Anglo-American writers, but Ziolkowski also includes significant examples of works from Hungary, Sweden, Norway, the Ukraine, Denmark, the Netherlands, Italy, and France. The figure of Moses becomes an animate seismograph, in Ziolkowski’s words, through whose literary reception we can trace many of the shifts in the cultural landscape of the past two centuries.

A compilation of works from prominent researchers, promoting both a panoramic and multilevel understanding of this complex construct, with focus on power as a cause of social ills and remedies to prevent corruption and abuse.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

In this fascinating insight into the artistic process, longtime Woody Allen biographer Eric Lax follows the legendary director through the making of a movie—from start to finish. Charting the production of Allen’s forty-sixth directorial feature, Irrational Man—starring Joaquin Phoenix and Emma Stone—from inception to premier, Lax takes us onto the set and behind the scenes, revealing the intimate details of Allen’s filmmaking. We see the screenplay being shaped, the scenes being prepared, and the actors, cinematographers, editors, and other participants at work. We hear Allen’s colleagues speak candidly about working with him, and Allen speaking with equal openness about his career. An unprecedented insight into one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the magic of the movies.

Written in an engaging and entertaining manner, this new book from leading Catholic biblical scholar Henry Wansbrough charts the use and abuse of scripture throughout the ages. It ranges from the evangelists' engagement with the Hebrew Scriptures to the use of the Bible in present day politics - perhaps most pertinently in the Israeli-Palestinian conflict. Wansbrough takes as his starting point Frances Young's The Art of Performance . This enables him to creatively display how 'The Bible' is 'performed' differently in different ages. Wansbrough demonstrates the variety of these performances and their different emphases in the history of Christianity to glimpse the different ways in which great figures within the Christian tradition have used and abused the Bible. Indirectly, therefore, it attacks the ever-present danger of fundamentalism, and single-minded interpretation of the Bible. Viewing the interpretation of the Bible against the background of various historical periods gives a valuable insight into the long and rich history of the Church. A final chapter provides a 'worked example' of Lecto Divina providing a window into the author's personal life of praying the Bible.