Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century. When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.

Collected interviews with the renowned science fiction and fantasy writer known for The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, and the Earthsea sequence of novels and stories

“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.

From acclaimed author Ursula K. Le Guin, a collection of thoughts--always adroit, often acerbic--on aging, belief, the state of literature, and the state of the nation

During the 1980s and 90s, the Resource Institute, headed by Jonathan White, held a series of "floating seminars" aboard a sixty-five-foot schooner featuring leading thinkers and writers from an array of disciplines. Over ten years, White conducted interviews, gathered in this collection, with the writers, scientists, and environmentalists who gathered on board to explore our relationship to the wild. White describes the conversations as the roots of an integrated community: "While at first these roots may not appear to be linked, a closer look reveals that they are sustained in common ground." Beloved fiction writer Ursula K. Le Guin discusses the nature of language, microbiologist Lynn Margulis contemplates Darwin's career and the many meanings of evolution, and anthropologist Richard Nelson sifts through the spiritual life of Alaska's native people. Rounding out the group are writers Gretel Ehrlich, Paul Shepard, and Peter Matthiessen, conservationists Roger Payne and David Brower, theologian Matthew Fox, activist Janet McCloud, Jungian analyst James Hillman, poet Gary Snyder, and ecologist Dolores LaChapelle. By identifying the common link between these conversations, Talking on the Water takes us on a journey in search of a deeper understanding of ourselves and the environment.

In "The Aeneid," Vergil's hero fights to claim the king's daughter, Lavinia, with whom he is destined to found an empire. Le Guin gives Lavinia a voice in a this novel set in the half-wild world of ancient Italy, when Rome was a muddy village near seven hills.

With a new introduction by Kelly Link, the Locus Award-winning science fiction novel by legendary author Ursula K. Le Guin, set in a world where one man’s dreams rewrite the future. During a time racked by war and environmental catastrophe, George Orr discovers his dreams alter reality. George is compelled to receive treatment from Dr. William Haber, an ambitious sleep psychiatrist who quickly grasps the immense power George holds. After becoming adept at manipulating George’s dreams to reshape the world, Haber seeks the same power for himself. George—with some surprising help—must resist Haber’s attempts, which threaten to destroy reality itself. A classic of the science fiction genre, The Lathe of Heaven is prescient in its exploration of the moral risks when overwhelming power is coupled with techno-utopianism.