Politically the 1910s and 1920s were dark days for Japan: economic instability, frequent political assassinations, and increasing violent military interventions at home and overseas affected many. This book explores the literature of the period, showing how it contributed to this overall mood. It focuses on the Tatsukawa Library, an unusual collection of military chronicles based on traditions of popular storytelling found in the yose — a network of small theatrical venues that provided the masses living and working in Japan’s major cities with affordable entertainment. Capitalising on local advances in Western-style printing, the series facilitated a ‘new wave’ of literature that appealed especially to young, marginalised, economically-insecure urban youths. This book discusses how the narrative content of the Tatsukawa Library, which focuses on historical samurai struggling valiantly against adverse circumstances, helped inspire a generation with admiration for violence. This work also examines how this outlook fitted with the Japanese state’s reintroduction of imperial propaganda.

In 1910s and 1920s Japan there was economic instability, political assassinations, and violent military interventions. This book explores the literature of the period, focusing on the Tatsukawa Library. It discusses how the books helped inculcate the generation that fought for Japan's emerging empire with admiration for marital violence.

Urban Spaces in Japan explores the workings of power, money and the public interest in the planning and design of Japanese space. Through a set of vivid case studies of well-known Japanese cities including Tokyo, Kobe, and Kyoto, this book examines the potential of civil society in contemporary planning debates. Further, it addresses the implications of Japan's biggest social problem – the demographic decline – for Japanese cities, and demonstrates the serious challenges and exciting possibilities that result from the impending end of Japan's urban growth. Presenting a synthetic approach that reflects both the physical aspects and the social significance of urban spaces, this book scrutinizes the precise patterns of urban expansion and shrinkage. In doing so, it also summarizes current theories of public space, urban space, and the body in space which are relevant to both Japan and the wider international debate. With detailed case studies and more general reflections from a broad range of disciplines, this collection of essays demonstrates the value of cross-disciplinary cooperation. As such, it is of interest to students and scholars of geography and urban planning as well as history, anthropology and cultural studies.

During the twentieth century, Japan was transformed from a poor, primarily rural country into one of the world's largest industrial powers and most highly urbanised countries. Interestingly, while Japanese governments and planners borrowed carefully from the planning ideas and methods of many other countries, Japanese urban planning, urban governance and cities developed very differently from those of other developed countries. Japan's distinctive patterns of urbanisation are partly a product of the highly developed urban system, urban traditions and material culture of the pre-modern period, which remained influential until well after the Pacific War. A second key influence has been the dominance of central government in urban affairs, and its consistent prioritisation of economic growth over the public welfare or urban quality of life. André Sorensen examines Japan's urban trajectory from the mid-nineteenth century to the present, paying particular attention to the weak development of Japanese civil society, local governments, and land development and planning regulations.

This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. Modernity as experienced in this locale, with its particular historical, geographic and demographic character, and its established traditions of music and performance, gave rise to configurations of the new, the traditional and the hybrid that were distinct from their Tokyo counterparts. The Taisho and early Showa periods, from 1912 to the early 1940s, saw profound changes in Japanese musical life. Consumption of both traditional Japanese and Western music was transformed as public concert performances, music journalism, and music marketing permeated daily life. The new bourgeoisie saw Western music, particularly the piano and its repertoire, as the symbol of a desirable and increasingly affordable modernity. Orchestras and opera troupes were established, which in turn created a need for professional conductors, and both jazz and a range of hybrid popular music styles became viable bases for musical livelihood. Recording technology proliferated; by the early 1930s, record players and SP discs were no longer luxury commodities, radio broadcasts reached all levels of society, and ’talkies’ with music soundtracks were avidly consumed. With the perceived need for music that suited 'modern life', the seeds for the pre-eminent position of Euro-American music in post-Second-World war Japan were sown. At the same time many indigenous musical genres continued to thrive, but were hardly immune to the effects of modernization; in exploring new musical media and techniques drawn from Western music, performer-composers initiated profound changes in composition and performance practice within traditional genres. This volume is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains

"An important study on modern Japanese social history that persuasively articulates quantitative data with well-chosen qualitative texts to tell the story of imperial democracy in Japan. The work shows real intelligence and great originality, and will make its mark on the practice of writing Japanese history."--Harry D. Harootunian, University of Chicago

A new, integrative history of interwar Japan, highlighting the transformative effects of the Great War far from the Western Front.