A publisher's dummy used for subscription sales of Washington's autobiography. Selected pages of the text and 37 illustrated plates are included. The front and back cover represent two of the three available bindings for the edition; the spine for the third option is pasted to the inside back cover.

In this groundbreaking modern slave narrative, Francis Bok shares his remarkable story with grace, honesty, and a wisdom gained from surviving ten years in captivity. May, 1986: Selling his mother's eggs and peanuts near his village in southern Sudan, seven year old Francis Bok's life was shattered when Arab raiders on horseback, armed with rifles and long knives, burst into the quiet marketplace, murdering men and women and gathering the young children into a group. Strapped to horses and donkeys, Francis and others were taken north, into lives of slavery under wealthy Muslim farmers. For ten years, Francis lived alone in a shed near the goats and cattle that were his responsibility. Fed with scraps from the table, slowly learning bits of an unfamiliar language and religion, the boy had almost no human contact other than his captor's family. After two failed attempts to escape-each bringing severe beatings and death threats-Francis finally escaped at age seventeen, a dramatic breakaway on foot that was his final chance. Yet his slavery did not end there, for even as he made his way toward the capital city of Khartoum, others sought to deprive him of his freedom. Determined to avoid that fate and discover what had happened to his family on that terrible day in 1986, the teenager persevered through prison and refugee camps for three more years, winning the attention of United Nations officials and being granted passage to America. Now a student and an anti-slavery activist, Francis Bok has made it his life mission to combat world slavery. His is the first voice to speak for an estimated twenty seven million people held against their will in nearly every nation, including our own. Escape from Slavery is at once a riveting adventure, a story of desperation and triumph, and a window revealing a world that few have survived to tell.

In the first major literary biography of L. Frank Baum, Rebecca Loncraine tells the story of Oz as you've never heard it, with a look behind the curtain at the vivid life and eccentric imagination of its creator. L. Frank Baum wrote The Wonderful Wizard of Oz in 1899 and it was first published in 1900. A runaway hit, it was soon recognized as America's first modern fairy tale. Baum's life story, like the fictional world he created, is uniquely American, rooted in the transforming historical changes of his times. Baum was a complex and eccentric man who could never stay put for long; his restless creative spirit and voracious appetite for new projects led him across the U.S. during his lifetime, and he drew energy and inspiration from each new dramatic landscape he encountered,. Born in 1856, Baum spent his youth in the Finger Lakes region of New York as amputee soldiers returned from the Civil War; childhood mortality was also commonplace, blurring the lines between the living and the dead, and making room in Baum's young imagination for vividly real ghosts. When Baum was growing up, P. T. Barnum ruled the minds of small towns and his traveling circus was the most famous act around. Baum married a headstrong young woman named Maud Gage and they ventured out west to Dakota Territory, where they faced violent tornadoes, Ghost Dancing tribes and desperate droughts, before trading the hardships on the Great Plains for the excitement of Chicago and the fantastical White City of the World's Fair. Baum's writing tapped into an inner world that blurred his own sense of reality and fantasy. The Land of Oz, which Baum believed he had "discovered" rather than invented, grew into something far bigger and more popular than he'd ever imagined. After the roaring success of The Wonderful Wizard of Oz in 1900, he became a kind of slave to his creation, trapped inside Oz as his army of demanding child fans kept sending him back there to create new adventures for Dorothy, Toto and the humbug wizard. He went on to write thirteen sequels to his first Oz book. He also wrote the first Broadway adaptations of his Oz tales, and turned his Oz books into some of the first motion pictures in a small and undiscovered rural settlement called "Hollywood". Baum co-founded the Oz Film Manufacturing Company, even as critics warned that no one would pay to see a children's story. And they were right- his early ventures were box office flops and the world was not ready for Oz on screen until 1939, when MGM released "The Wizard of Oz" in brilliant Technicolor. Baum was not around to see it-he'd died in bed in 1919 just weeks after completing his final Oz book. But the book and film alike have become classics, just as well-loved today as they were when they first appeared. The Real Wizard of Oz is an imaginatively written work that stretches the genre of biography and enriches our understanding of modern fairytales. L. Frank Baum, author of The Wonderful Wizard of Oz and its thirteen sequels, lived during eventful times in American history-- from 1856 to 1919-- that influenced nearly every aspect of his writing, from the Civil War to Hollywood, which was emerging as a modern Emerald City full of broken dreams and humbug wizards, to the gulf between America's prairie heartland, with its wild tornadoes, and its cities teeming with "Tin Man" factory workers. This is a colorful portrait of one man's vivid and eccentric imagination and the world that shaped it. Baum's famous fairytale is filled with the pain of the economic uncertainties of the Gilded Age and with a yearning for real change, ideas which many contemporary Americans will recognize. The Wizard of Oz continues to fascinate and influence us because it explores universal themes of longing for a better world, homesickness and finding inner strength amid the storms.

Inspired by the centenary of the publication of Washington's autobiography, Up From Slavery, this collection of essays reinterprets Washington's career and self-presentation. As the most visible and widely acclaimed black leader of his era, Washington played a pivotal role in advocating a strategy for the racial uplift of African Americans in an age of intensifying racism and discrimination. This collection insists that in order to understand the era of Jim Crow, we must come to terms with Washington and his autobiography. It uses Washington, his autobiography, and his program to consider the meanings of Up From Slavery, the plight of African Americans, and possible responses by blacks in the United States and elsewhere to the highest stage of white supremacy. Collectively and individually, these essays shed light on aspects of Washington and his life that have been poorly understood. Neither a critique nor an apologia, Booker T. Washington and Black Progress offers fresh perspectives by leading scholars on one of the most remarkable and influential figures in turn-of-the-century America, providing a new appreciation of both the man and his times.

Booker T. Washington’s classic memoir of enslavement, emancipation, and community advancement in the Reconstruction Era. Born into slavery on a tobacco farm in nineteenth-century Virginia, Booker T. Washington became one of the most powerful intellectuals of the Reconstruction Era. As president of the Tuskegee Institute in Alabama, he advocated for the advancement of African Americans through education and entrepreneurship. In Up from Slavery, Washington speaks frankly and honestly about his enslavement and emancipation, struggle to receive an education, and life’s work as an educator. In great detail, Washington describes establishing the Tuskegee Institute, from teaching its first classes in a hen house to building a prominent institution through community organization and a national fundraising campaign. He also addresses major issues of the era, such as the Jim Crow laws, Ku Klux Klan, and “false foundation” of Reconstruction policy. Up From Slavery is based on biographical articles written for the Christian newspaper Outlook and includes the full text of Washington’s revolutionary Atlanta Exposition address. First published in 1901, this powerful autobiography remains a landmark of African American literature as well as an important firsthand account of post–Civil War American history. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

UP FROM SLAVERY The autobiography of Booker T Washington is a startling portrait ofone of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of 'a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society. THE SOULS OF BLACK FOLK W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described. THE AUTOBIOGRAPHY OF AN EX-COLORED MAN Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human account of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the white man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society. These three narratives, gathered together in Three Negro Classics chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been. The Autobiography of Booker T. Washington is a startling portrait of one of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society.W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described.Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human accout of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the w3hite man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society.These three narratives, gathered together in Three Negro Classics, chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been.

The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African, first published in 1789, is the autobiography of Olaudah Equiano. The narrative is argued to be a variety of styles, such as a slavery narrative, travel narrative, and spiritual narrative. The book describes Equiano's time spent in enslavement, and documents his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his own freedom and in business thereafter.