A man squanders his family fortune until he is penniless, loses every time he runs for public office, and yet is so admired by the people of Arkansas that the General Assembly names a county in his honor. A renowned writer makes her home in the basement of a museum until she is sued by some of the most prominent women of the state regarding the use of the rooms upstairs. A brilliant inventor who nearly built the first airplane is also vilified for his eccentricity and possible madness. Author Steven Teske rummages through Arkansas’s colorful past to find--and "unvarnish"--some of the state’s most controversial and fascinating figures. The nine people featured in this collection are not the most celebrated products of Arkansas. More than half of them were not even born in Arkansas, although all of them lived in Arkansas and contributed to its history and culture. But each of them has achieved a certain stature in local folklore, if not in the story of the state as a whole.

Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.

Although it occurred nearly a century ago, the Elaine Massacre of 1919 remains the subject of intense inquiry as historians try to answer a multitude of questions, such as why authorities in the Arkansas Delta used such overwhelming violence to put down a farmers’ union, exactly how many people were killed in the massacre, and how the event shaped the following century. We cannot fully understand what happened at Elaine without examining the one hundred years leading up to the massacre. An analysis of the years from 1819, when Arkansas officially became an American territory, to 1919 provides the historical foundation for understanding one of the bloodiest manifestations of racial violence in U.S. history. During the antebellum years, slaveholders grew paranoid about possible “insurrections,” and after the Civil War and Emancipation, these fears lingered and led to numerous atrocities long before Elaine. At the same time, African Americans—particularly fieldworkers—worked to organize themselves to resist oppression, setting the stage for the farmers’ union that was the target for mob and military wrath during the Elaine Massacre. These essays provide the larger history necessary for understanding what happened at Elaine in 1919—and thus provide a window into the current state of Arkansas and the nation at large. Contributors include Richard Buckelew, Nancy Snell Griffith, Matthew Hild, Adrienne Jones, Kelly Houston Jones, Cherisse Jones-Branch, Brian K. Mitchell, William H. Pruden III, and Steven Teske.

Everyone, including native Arkansans, may be surprised to find out how many famous and fascinating people come from or have strong ties to the state. Natural State Notables profiles twenty-one such people, including musicians, athletes, business leaders, and public servants. Readers will learn about a famous surgeon who was a pioneer in kidney transplantation, a woman who kept a hospital open during the Depression, and a teacher who wrote a famous song to match a history lesson. Featured are poor people who worked hard to become successful and a rich man who moved to Arkansas, fell in love with the state, and made it better. All of these people are “Natural State Notables” who helped make Arkansas what it is today.

As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of tackiness reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.

Originally released in 1932, Wayman Hogue's Back Yonder is a rare and entertaining memoir of life in rural Arkansas during the decades follow- ing the Civil War. Using family legends, personal memories, and events from Arkansas history, Hogue, like his contemporary Laura Ingalls Wilder, creatively weaves a narrative of a family making its way in rug- ged, impoverished, and sometimes violent places. From one-room schoolhouses to moonshiners, the details in Hogue's story capture the essence of a particular time and place, even as the characters reflect a universal quality that endears them to the mod- ern reader. This reissue of Back Yonder, the first in the Chronicles of the Ozarks series, features an introduction by historian Brooks Blevins that explores the life of Charles Wayman Hogue, analyzes the people and events that inspired the book, and places the volume in the context of America's discovery of the Ozarks in the years between the World Wars.

In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year W. A. began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South. With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955-68). In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was "the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner." It didn't create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.