Julian Radclive is hosting a dinner for The Unspeakables, the group of friends who attended Latimer College with him in his youth. They have started to meet again at intervals, this time in the Oxfordshire village where Julian and his wife Gaby live. One of the group is murdered at breakfast on the morning after the dinner and another is run over in London when they meet again several months later for the University Boat Race. Meantime, a Hollywood movie studio is planning a new TV detective drama in Oxford and Julian Radclive is commissioned to write the script for the pilot episode. While Julian and Gaby enter the unfamiliar world of movie-making and encounter some exotic characters, the Master of Latimer engages with a Chinese university for a student exchange programme and invites Julian and two of his friends to join the candidate selection board. They interview students in Latimer on the same day as the next dinner of The Unspeakables, this time in College, and one of their number is murdered immediately afterwards. All the strands in the story come together in the investigations which follow when Julian finally unmasks the killer.

PI and part-time actor Eddie Collins is hired to investigate the death of his ex-wife, Elaine Weddington, on the set of her latest B-movie. As Eddie follows the trail of clues, and now the killer wants him dead too.

Angie Turner's Idaho restaurant, the County Seat, owes its success not only to its farm-fresh fare, but also to its devoted and passionate staff. And while murder is never on the menu, it often shows up as an uninvited guest . . . A Pumpkin Spice Killing At a much-deserved arts-and-crafts themed retreat, Angie and her County Seat staff find themselves helping an older guest uncover the whereabouts of his missing son . . . Have a Deadly New Year It's a rockin' New Year for Angie and her crew as they cater a bash for a famous band, but there are hints of discord when one of the musicians is found with a drumstick in his chest . . . Penned In The County Seat's crew goes on a quarterly out-of-office meeting at the Old Idaho Penitentiary near the Boise Foothills, a prison brimming with ghostly lore. The lock-in features actors role-playing as guards, fascinating prison stories . . . and an unscripted murder.

"Faith's role as librarian now includes assisting the producer in filming a remake of Alice in Wonderland. Even Watson the cat makes his big screen debut. Soon the production is shut down when Alice does a screen and vanishes. Midge becomes the prime suspect."--Amazon.com

In 1935, the deaths of Isabella Ruxton and Mary Rogerson were reported in newspapers worldwide. But behind the headlines was a different, more important story: the groundbreaking work of Scottish forensic scientists who developed new techniques to solve the case and shape the future of scientific criminal investigation.

A die-hard fan of Jane Austen novels and the traditional English mystery, Tracy Kiely has combined elements of both for this truly delightful and witty debut. Planning New Year's resolutions to rid her life of all things unhealthy, Elizabeth Parker has dumped fatty foods, processed sugar, and her two-timing boyfriend. Indeed, the invitation to join her Aunt Winnie for a How to Host a Murder Party on New Year's Eve at Winnie's new Cape Cod B & B comes just in time. But when the local wealthy miser ends up the unscripted victim, Elizabeth must unearth old secrets and new motives in order to clear her beloved aunt of suspicion. The suspects include the town gossip, a haughty rich woman, and an antiques business owner much enamored of his benefactress, a Mrs. Kristell Dubois. If that isn't bad enough, Elizabeth must also contend with her childhood nemesis, Peter McGowan---a man she suspects has only matured in chronological years---and her suspicions about his family's interest in Winnie's inn. Yesterday, her only worry was of ever finding her Mr. Darcy. Now she has a murder to solve. Is it any wonder her resolution to achieve inner poise is in tatters? By reimagining characters and themes lifted from the treasured classic Pride and Prejudice, and crafting an expert, intricate mystery, Tracy Kiely has brought to life something very special: a new cozy series that is clever, vibrant, and utterly disarming.

Over fifty years ago, it became unfashionable—even forbidden—for students of literature to talk about an author’s intentions for a given work. In Murder by Accident, Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events in which a theatrical performance precipitated deadly consequences, Enders contends that the marginalization of intention in critical discourse is a mirror for the marginalization—and misunderstanding—of theater. Murder by Accident revisits the legal, moral, ethical, and aesthetic limits of the living arts of the past, pairing them with examples from the present, whether they be reality television, snuff films, the “accidental” live broadcast of a suicide on a Los Angeles freeway, or an actor who jokingly fired a stage revolver at his temple, causing his eventual death. This book will force scholars and students to rethink their assumptions about theory, intention, and performance, both past and present.