Early Christians used charges of adultery, incest, and lascivious behavior to demonize their opponents, police insiders, resist pagan rulers, and define what it meant to be a Christian. Christians frequently claimed that they, and they alone were sexually virtuous, comparing themselves to those marked as outsiders, especially non-believers and "heretics," who were said to be controlled by lust and unable to rein in their carnal desires. True or not, these charges allowed Christians to present themselves as different from and morally superior to those around them. Through careful, innovative readings, Jennifer Knust explores the writings of Paul, Justin Martyr, Irenaeus of Lyons, and other early Christian authors who argued that Christ alone made self-mastery possible. Rejection of Christ led to both immoral sexual behavior and, ultimately, alienation and punishment from God. Knust considers how Christian writers participated in a long tradition of rhetorical invective, a rhetoric that was often employed to defend status and difference. Christians borrowed, deployed, and reconfigured classical rhetorical techniques, turning them against their rulers to undercut their moral and political authority. Knust also examines the use of accusations of licentiousness in conflicts between rival groups of Christians. Portraying rival sects as depraved allowed accusers to claim their own group as representative of "true Christianity." Knust's book also reveals the ways in which sexual slurs and their use in early Christian writings reflected cultural and gendered assumptions about what constituted purity, morality, and truth. In doing so, Abandoned to Lust highlights the complex interrelationships between sex, gender, and sexuality within the classical, biblical, and early-Christian traditions.

An examination of sex and the Bible by one of the leading biblical scholars in the United States. For several decades, Michael Coogan's introductory course on the Old Testament has been a perennial favorite among students at Harvard University. In God and Sex, Coogan examines one of the most controversial aspects of the Hebrew Scripture: What the Old Testament really says about sex, and how contemporary understanding of those writings is frequently misunderstood or misrepresented. In the engaging and witty voice generations of students have appreciated, Coogan explores the language and social world of the Bible, showing how much innuendo and euphemism is at play, and illuminating the sexuality of biblical figures as well as God. By doing so, Coogan reveals the immense gap between popular use of Scripture and its original context. God and Sex is certain to provoke, entertain, and enlighten readers.

Poetry. Well known for editing The Difficulties (1980-1990), a now legendary critical journal, Tom Beckett releases UNPROTECTED TEXTS, his first and much anticipated full-length book. Here, zombies and Wittgenstein bracket a series of autonomous zones populated by the Book, Harry Partch, 100 Questions, shadows, holograms, the Subject, the author himself, and numerous pronouns. These UNPROTECTED TEXTS flood the tones of speech wrenched from the bent notes of a life lived looking for a connection to "the conversation" which takes place amongst musics of meaning. Sex and text are synonymous here: "Is this speech balloon a rubber?" Ron Silliman says, "For three decades now, Tom Beckett has been writing the most hard-headed, clear-eyed, unsentimental poetry in America. He has the rigor of a master & the mind of a first-rate detective." Sheila Murphy adds, "That this book is overdue, results in a level of concentration that intensifies the experience of reading."

Our campuses are steeped in political correctness—that's hardly news to anyone. But no one realizes that radical social agendas have also taken over campus health and counseling centers, with dire consequences. Psychiatrist Miriam Grossman knows this better than anyone. She has treated more than 2,000 students at one of America's most prestigious universities, and she's seen how the anything- goes, women-are-just-like-men, "safer-sex" agenda is actually making our sons and daughters sick. Dr. Grossman takes issue with the experts who suggest that students problems can be solved with free condoms and Zoloft. What campus counselors and health providers must do, she argues, is tell uncomfortable, politically incorrect truths, especially to young patients in their most vulnerable and confused moments. Instead of platitudes and misinformation, it's time to offer them real protection.

Winner of the 2013 John Hope Franklin Book Prize presented by the American Studies Association A necessary read that demonstrates the ways in which certain people are devalued without attention to social contexts Social Death tackles one of the core paradoxes of social justice struggles and scholarship—that the battle to end oppression shares the moral grammar that structures exploitation and sanctions state violence. Lisa Marie Cacho forcefully argues that the demands for personhood for those who, in the eyes of society, have little value, depend on capitalist and heteropatriarchal measures of worth. With poignant case studies, Cacho illustrates that our very understanding of personhood is premised upon the unchallenged devaluation of criminalized populations of color. Hence, the reliance of rights-based politics on notions of who is and is not a deserving member of society inadvertently replicates the logic that creates and normalizes states of social and literal death. Her understanding of inalienable rights and personhood provides us the much-needed comparative analytical and ethical tools to understand the racialized and nationalized tensions between racial groups. Driven by a radical, relentless critique, Social Death challenges us to imagine a heretofore “unthinkable” politics and ethics that do not rest on neoliberal arguments about worth, but rather emerge from the insurgent experiences of those negated persons who do not live by the norms that determine the productive, patriotic, law abiding, and family-oriented subject.

From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, art, and healing—now in paperback It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic Emmy-winning performance in the celebrated TV show Pose; before he was the groundbreaking Tony and Grammy Award–winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, director, and all-around legend, Porter was a young boy in Pittsburgh who was seen as different, who didn’t fit in. At five years old, Porter was sent to therapy to “fix” his effeminacy. He was endlessly bullied at school, sexually abused by his stepfather, and criticized at his church. Porter came of age in a world where simply being himself was a constant struggle. Billy Porter’s Unprotected is the life story of a singular artist and survivor in his own words. It is the story of a boy whose talent and courage opened doors for him, but only a crack. It is the story of a teenager discovering himself, learning his voice and his craft amid deep trauma. And it is the story of a young man whose unbreakable determination led him through countless hard times to where he is now; a proud icon who refuses to back down or hide. Porter is a multitalented, multifaceted treasure at the top of his game, and Unprotected is a resonant, inspirational story of trauma and healing, shot through with his singular voice.

Sparrows is a novella by Horace W. C. Newte. Excerpt: "To the indifferent observer, the Miss Mees were exactly alike, being meagre, dilapidated, white-haired old ladies, with the same beaked noses and receding chins; both wore rusty black frocks, each of which was decorated with a white cameo brooch; both walked with the same propitiatory shuffle. They were like a couple of elderly, moulting, decorous hens who, in spite of their physical disabilities, had something of a presence. This was obtained from the authority they had wielded over the many pupils who had passed through their hands."