A Booklist Best Literary Travel Book (2017) and Kirkus Reviews Best Nonfiction Book (2016) “A penetrating study of human character in a challenging environment. . . . [David Welky’s] seamless narrative, chilling at times and always thought-provoking, transports the reader to a time when the Arctic was virtually as harsh and inaccessible a place as the Moon or Mars.” —Natural History From a snow-swept hill in the ice fields northwest of Greenland, famed Arctic explorer Robert E. Peary spots a line of mysterious peaks dotting the horizon. In 1906, he names that distant, uncharted territory “Crocker Land.” Years later, two of Peary’s disciples, George Borup and Donald MacMillan, take the brave steps Peary never did: with a team of amateur adventurers and intrepid native guides, they endeavor to reach this unknown land and fill in the last blank space on the globe. What follows is hardship and mishap the likes of which none of the explorers could possibly have imagined. From howling blizzards and desperate food shortages to crime and tragedy, the explorers experience a remarkable journey of endurance, courage, and hope. Set in one of the world’s most inhospitable places, A Wretched and Precarious Situation is an Arctic tale unlike any other.

"The University of Central Arkansas (UCA) began its life as the Arkansas State Normal School in 1907. Originally intended to bolster Arkansas's teaching pool by training professional educators, the school hosted 9 academic departments, 1 building, 107 students, and 7 faculty members. The school renamed itself the Arkansas State Teachers College in 1925 and became the University of Central Arkansas in 1975. UCA now has around 12,000 students, 400 full-time faculty, 150 total degrees and certificates, and more than 120 buildings on over 350 acres. UCA was one of the first schools in the nation to create an honors program, the Norbert O. Schedler Honors College, which still thrives today. The University of Central Arkansas has positioned itself as a beacon of academic progress in Arkansas and continues to grow with Conway's booming population sector."

We’ve been teaching reading wrong—a leading cognitive scientist tells us how we can finally do it right

Typescript, undated. Unmarked script of an unbound Samuel French Inc. publication. The play opened April 16, 2008, as a Manhattan Theatre Club presentation at City Center Stage I, 131 West 55th Street, New York, N.Y.

Examines the critical role of urban taverns in the social and political life of colonial and revolutionary America From exclusive “city taverns” to seedy “disorderly houses,” urban taverns were wholly engrained in the diverse web of British American life. By the mid-eighteenth century, urban taverns emerged as the most popular, numerous, and accessible public spaces in British America. These shared spaces, which hosted individuals from a broad swath of socioeconomic backgrounds, eliminated the notion of “civilized” and “wild” individuals, and dismayed the elite colonists who hoped to impose a British-style social order upon their local community. More importantly, urban taverns served as critical arenas through which diverse colonists engaged in an ongoing act of societal negotiation. Inn Civility exhibits how colonists’ struggles to emulate their British homeland ultimately impelled the creation of an American republic. This unique insight demonstrates the messy, often contradictory nature of British American society building. In striving to create a monarchical society based upon tenets of civility, order, and liberty, colonists inadvertently created a political society that the founders would rely upon for their visions of a republican America. The elitist colonists’ futile efforts at realizing a civil society are crucial for understanding America’s controversial beginnings and the fitful development of American republicanism.

From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors—Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince—who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.