Unintended Affinities examines the ways in which German and Polish historians of the nineteenth-century regarded the Holy Roman Empire and the Polish-Lithuanian Commonwealth. The book parallels how historians approached the old Reich and the Commonwealth within the framework of their national history. Kożuchowski analyzes how German and Polish nationalistic historians, who played central roles in propagandizing a glorious past that justified a centralized modern state, struggled with how to portray the very decentralized and multi-ethnic empires that preceded their time.

The book studies the impact of Stevensian and Valeryan poetics, and symbolist poetics more broadly, on a range of Anglo-American poets in untypical fashion. Pairing poets who are not usually studied in their relation to one another reveals mutuality and dissimilitude. Chapter I looks at Stevens and Valery from the vantage point of the senses as opposed to the more usual lens of their similar cerebral or philosophical temperaments. Although critics have largely and justifiably seen Stevens and Eliot in oppositional terms (Stevens proclaims them dead opposites), Lisa Goldfarb asks what happens when we look at them from the vantage point of their mutual interest in creating a musical poetics. Auden is principally known for his distaste for the symbolists and their magical poetics, yet he reserves special praise for Valery and considers him as his poetic mentor; Chapter III studies their poetics side-by-side. With Stevens and Audens mutual appreciation of Valery as a starting point, Chapter IV turns to a closer comparative study of Auden and Stevens, two poets who have traditionally been seen as operating in distinct poetic spheres. While Elizabeth Bishop famously eludes categorization in terms of poetic school or affiliation, a fifth chapter addresses her poetic music in relation to French symbolist poetics, one of the many poetic schools she admired. A sixth and final chapter examines Stevens musical legacy, in large part derived from the symbolists, and addresses the work of a range of modern and contemporary poets, with a final section devoted to the work of contemporary poet, Susan Howe.

While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Unexpected Affinities: The History of Type in the Architectural Project from Laugier to Duchamp traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.

East-West comparative literature is a field of study that has seen tremendous growth in recent years. In this pioneering study, renowned scholar Zhang Longxi offers a much-needed reappraisal of the thematic and conceptual similarities that unite literary and cultural traditions in the East and West. An expanded version of the lectures he gave as part of the Alexander Lectures Series at the University of Toronto in 2005, Unexpected Affinities emphasizes affinity over difference and explores the relationship between East and West in terms of cultural homogeneity (with shared literary qualities as its signposts), challenging the traditional boundaries of cross-cultural study and comparative literature as a discipline. Throughout Unexpected Affinities, Zhang emphasizes the validity of East-West studies through concrete examples and a wide range of references not only to literature, but to religious and philosophical texts as well. Zhang insists that certain critical insights come solely from the cross-cultural perspective of East-West studies, and that without going beyond the limited horizon of a single literary tradition, we will not attain the broad vision of human creativity in all its richness and diversity. Clear, concise, and engaging, Unexpected Affinities will appeal to students of comparative literature and Asian studies, as well as to readers interested in the global implications of art and culture.

Since its beginnings, Poland has been a moving target, geographically as well as demographically, and the very definition of who is a Pole has been in flux. In the late medieval and early modern periods, the country grew to be the largest in continental Europe, only to be later wiped off the map for more than a century. The Polish phoenix that rose out of the ashes of World War I was obliterated by the joint Nazi-Soviet occupation that began with World War II. The postwar entity known as Poland was shaped and controlled by the Soviet Union. Yet even under these constraints, Poles persisted in their desire to wrest from their oppressors a modicum of national dignity and, ultimately, managed to achieve much more than that. Poland is a sweeping account designed to amplify major figures, moments, milestones, and turning points in Polish history. These include important battles and illustrious individuals, alliances forged by marriages and choices of religious denomination, and meditations on the likes of the Polish battle slogan "for our freedom and yours" that resounded during the Polish fight for independence in the long 19th century and echoed in the Solidarity period of the late 20th century. The experience of oppression helped Poles to endure and surmount various challenges in the 20th century, and Poland's demonstration of strength was a model for other peoples seeking to extract themselves from foreign yoke. Patrice Dabrowski's work situates Poland and the Poles within a broader European framework that locates this multiethnic and multidenominational region squarely between East and West. This illuminating chronicle will appeal to general readers, and will be of special interest to those of Polish descent who will appreciate Poland's longstanding republican experiment.

Combining balance sheet analysis with historical institutional analysis, this book traces the evolution of social sector financial balance sheets in the US from 1960 to 2018. This innovative historical-institutional approach, ranging from the micro level of households to the macro level of the federal government, reveals that the displacement of households by banks has been a long-term process. This gradual compounding of financialization is at odds with widely accepted views about financialization, contemporary banking theory, financial intermediation theory, and post-Keynesian and endogenous money approaches. The book returns to time-tested traditional principles of banking and taps unexpected affinities about market failures in transaction cost economics, financial intermediation theory, and core ideas in classic modern political and social economy about economic moralities and social reactions of self-defense against unfettered markets. This book provides an alternative explanation for the rise of finance and new ways to think about averting financialization and its devastating consequences. This book marks a significant contribution to the literature on financialization, social economics, banking, and the American political economy.