In this first-hand account of an early returnee's life in communist China, Frances Wong relates her personal experiences in China from 1949 to the present, detailing numerous political movements, including the devastating experiences of the Anti-Rightist Movement and the Cultural Revolution. After her husband was labelled a "Rightist," they were banished to the countryside for eight long years, while their four children were sent to different parts of the country to do manual labor.

Jeff Selingo, journalist and editor-in-chief of the Chronicle for Higher Education, argues that colleges can no longer sell a four-year degree as the ticket to success in life. College (Un)Bound exposes the dire pitfalls in the current state of higher education for anyone concerned with intellectual and financial future of America.

The book describes the modern theory of light hydrogen-like systems. The discussion is based on quantum electrodynamics. Green's functions, relativistic bound-state equations and Feynman diagrams are extensively used. New theoretical approaches are described and explained. The book contains derivation of many theoretical results obtained in recent years. A complete set of all theoretical results for the energy levels of hydrogen-like bound states is presented.

The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. All Bound Up Together explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the "woman question" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman's right to control her body to her right to vote. Through a far-ranging look at politics, church, and social life, Jones demonstrates how women have helped shape the course of black public culture.

What do we need to do to become truly comfortable—at one—with our lives here and now? In these essays, Buddhist social critic and philosopher David R. Loy discusses liberation not from the world, but into it. Loy's lens is a wide one, encompassing the classic and the contemporary, the Asian, the Western, and the comparative. Loy seeks to distinguish what is vital from what is culturally conditioned and perhaps outdated in Buddhism and also to bring fresh worldviews to a Western world in crisis. Some basic Buddhist teachings are reconsidered and thinkers such as Nagarjuna, Dogen, Eckhart, Swedenborg, and Zhuangzi are discussed. Particularly contemporary concerns include the effects of a computerized society, the notion of karma and the position of women, terrorism and the failure of secular modernity, and a Buddhist response to the notion of a clash of civilizations. With his unique mix of Buddhist philosophical insight and passion for social justice, Loy asks us to consider when our awareness, or attention, is bound in delusion and when it is unbound and awakened.

Beginning after World War I, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations—particularly those of Mexicans and Creoles—complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history also uses music and sound to examine these racial complexities, tracing the emergence of Houston's blues and jazz scenes in the 1920s as well as the hybrid forms of these genres that arose when migrants forged shared social space and carved out new communities and politics. This interdisciplinary book provides both an innovative historiography about migration and immigration in the twentieth century and a critical examination of a city located in the former Confederacy.