Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

mai 1968-2014. Souvenirs personnels et amitiés. Les avatars de la société du spectacle, son intégration et sa désintégration : le monde mafieux. Découvertes archéologiques et religions. Terroristes et pirates. Fin d'une civilisation et destruction du monde, quelques projets incertains pour pallier les dérives.Quelques autres points particuliers...

This book examines the ways in which women in the contemporary Middle East and North Africa have re-imagined revolutionary discourses through creativity and collective action as a means of resistance. Encompassing a stunning array of forms and genres, such as graffiti, street performance, photography, phototexts, novels, and comics, the book draws from a vast spectrum of artistic production in revolutionary periods between 2011 and 2022 in Egypt, Tunisia, Morocco, and Algeria. El Nossery sheds light on women’s postrevolutionary artistic output by engaging an interdisciplinary approach: the book is divided into three sections which foreground the unique relationship between textual, visual, and performative modes as they intertwine with art and politics. Arab Women’s Revolutionary Art thereby aims to demonstrate how art, as always oriented towards an open future, can preserve the revolutionary spirit that was sparked in 2011 by documenting what happened and determining which stories would be told. The revolution, therefore, continues.