This omnibus and retrospective collects the best of 23 years of cartoonist Kaz’s alt-weekly comic strip. Underworld: From Hoboken to Hollywood is the first-ever omnibus of the very best of the alternative weekly strip’s 23-year run, with annotations, photos, and other surprises from the author (along with a foreword by Mutts creator Patrick McDonnell). Kaz's strip hilariously depicts sordid doings in a surreal city, stuffed with almost-parodies of famous comic strip characters, a healthy dose of cigarette smoking cats, cute little saccharin-cuddly creatures, media-damaged kids, and much more ― all destined for a sardonic smashing.

"In addition to his career as an Emmy winning writer for animation (Cartoon Network's Camp Lazlo, Disney's Phineas and Ferb, and Nickelodeon's SpongeBob Squarepants), Kaz has been unleashing his id and corrupting generations with his Harvey nominated weekly Underworld comic strip since 1992. Underworld hilariously depicts sordid doings in a surreal city, stuffed with almost-parodies of famous comic strip characters, a healthy dose of cigarette smoking cats, cute little saccharin-cuddly creatures, media-damaged kids and much more."--Publisher's description.

This issue of the award-winning magazine of comics interviews, news, and criticism focuses on the relationship between animation and comics. Gary Groth interviews this issue’s cover artist Cathy Malkasian (Eartha), the PBS/Nickelodeon animation director (Curious George, The Wild Thornberrys) turned graphic novelist, about her first middle-grade GN, NoBody Likes You, Greta Grump. In addition to this issue’s featured interview with Cathy Malkasian, MLK graphic biographer Ho Che Anderson shares his animation storyboards, and Anya Davidson talks to Sally Cruikshank about how the underground comics movement influenced the latter’s aesthetic in a career that encompasses indie shorts and Flash animation, as well as work for feature film credits and Sesame Street. Other features include: an unpublished Ben Sears (Midnight Gospel) comic, and Jem and the Holograms cartoon creator Christy Marx talks about the behind-the-scenes advantages and disadvantages of both art forms. Plus! Sketchbook art by Vanesa Del Rey (Black Widow), an interview with Amazon warehouse worker-turned-cartoonist Ness Garza, Paul Karasik’s essay on an unseen gem, and much more. For more than 45 years, no magazine has chronicled the continuum of the comic arts with more rigor and passion than The Comics Journal.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

In this series of stand-alone Naughty Bits collections, Gregory takes on pornography, shopping, yuppies, dating, menstru-ation, and much more. The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series. The raunchiest collection, focusing on Bitchy's sexual excapades.

In this thrilling panorama of real-life events, the bestselling author of Empire of Pain investigates a secret world run by a surprising criminal: a charismatic middle-aged grandmother, who from a tiny noodle shop in New York’s Chinatown managed a multi-million dollar business smuggling people. “Reads like a mashup of The Godfather and Chinatown, complete with gun battles, a ruthless kingpin and a mountain of cash. Except that it’s all true.” —Time Keefe reveals the inner workings of Sister Ping’s complex empire and recounts the decade-long FBI investigation that eventually brought her down. He follows an often incompetent and sometimes corrupt INS as it pursues desperate immigrants risking everything to come to America, and along the way, he paints a stunning portrait of a generation of illegal immigrants and the intricate underground economy that sustains and exploits them. Grand in scope yet propulsive in narrative force, The Snakehead is both a kaleidoscopic crime story and a brilliant exploration of the ironies of immigration in America.

Dani Foxx is a gorgeous, sexy and spirited Los Angeles private eye with spunk, guts and a take-no-prisoners attitude. She has brains, courage, beauty, and nothing gets in her way. Dani lives in the Woodland Hills section of the San Fernando Valley with her beautiful teen-age daughter Dale. Together, they survive and protect each other in the world's most glamorous and sin-filled city. Dani is a former actress and model, having appeared on the daytime television drama Paradise Beach. She is all too familiar with the pitfalls, dangers and perils that occur within the City of Angels. Being tremendously aware of the sordid underbelly of Los Angeles and the often fear-provoking events that can happen, she now uses her talents and aptitude to assist others who have found themselves in the many harrowing situations she is very acquainted with. Her partner, the dashing and charismatic A.J. Tarentella, was raised in a ruthless crime family. Being the son of a mob boss, he fought his way to the top with honor, loyalty and pride. He now is the proud owner of the Tarantella Agency, an immensely respected Private Investigation Company located in the heart of Beverly Hills. He used his father's work ethic, connections and family ties to build his powerful business empire, and now he is always there to help those in need. Together, A.J. and Dani maneuver through the puzzling and dangerous underworld of Los Angeles, finding themselves racing for survival. From the very beginning, they were destined to be a lethal and dynamic combination. To get through the frightening maze of her precarious life, Dani has got to take chances: risks that will test her strength, willpower, and her family. The famous and infamous will test her and tempt her with undeniable sexual charms, extreme power and enormous wealth, and thrust her forcefully into the wild side of Tinseltown-- where everybody has lethal secrets and ruthless ambition.