New Hampshire Literary Award Winner NPR Books Summer Reading Selection “My favorite collection of short stories in recent memory.” —NANCY PEARL, NPR Morning Edition “Profound . . . with more to say on the human condition than most full books. . . . A remarkable collection, with pitch-perfect leaps of imagination.” —Minneapolis Star Tribune “Horvath doesn’t just tell a story, he gives readers a window into the hearts, minds and souls of his characters.” —Concord Monitor What if there were a city that consisted only of restaurants? What if Paul Gauguin had gone to Greenland instead of Tahiti? What if there were a field called Umbrology, the study of shadows, where physicists and shadow puppeteers worked side by side? Full of speculative daring though firmly anchored in the tradition of realism, Tim Horvath’s stories explore all of this and more— blending the everyday and the wondrous to contend with age-old themes of loss, identity, imagination, and the search for human connection. Whether making offhand references to Mystery Science Theater, providing a new perspective on Heidegger’s philosophy and forays into Nazism, or following the imaginary travels of a library book, Horvath’s writing is as entertaining as it is thought provoking. Tim Horvath teaches creative writing at New Hampshire Institute of Art and Boston’s Grub Street writing center. He has also worked part-time as a counselor in a psychiatric hospital, primarily with autistic children and adolescents. He lives in New Hampshire with his wife and daughter.

A lively, engaging ethnography that demonstrates how a volatile politics of race, class, and nation animates the infamously violent struggles over forests in the U.S. Southwest.

Through lively, engaging narrative, Understories demonstrates how volatile politics of race, class, and nation animate the notoriously violent struggles over forests in the southwestern United States. Rather than reproduce traditional understandings of nature and environment, Jake Kosek shifts the focus toward material and symbolic “natures,” seemingly unchangeable essences central to formations of race, class, and nation that are being remade not just through conflicts over resources but also through everyday practices by Chicano activists, white environmentalists, and state officials as well as nuclear scientists, heroin addicts, and health workers. Drawing on two years of ethnographic fieldwork and extensive archival research, he shows how these contentious natures are integral both to environmental politics and the formation of racialized citizens, politicized landscapes, and modern regimes of rule. Kosek traces the histories of forest extraction and labor exploitation in northern New Mexico, where Hispano residents have forged passionate attachments to place. He describes how their sentiments of dispossession emerged through land tenure systems and federal management programs that remade forest landscapes as exclusionary sites of national and racial purity. Fusing fine-grained ethnography with insights gleaned from cultural studies and science studies, Kosek shows how the nationally beloved Smokey the Bear became a symbol of white racist colonialism for many Hispanos in the region, while Los Alamos National Laboratory, at once revered and reviled, remade regional ecologies and economies. Understories offers an innovative vision of environmental politics, one that challenges scholars as well as activists to radically rework their understandings of relations between nature, justice, and identity.

A lively, engaging ethnography that demonstrates how a volatile politics of race, class, and nation animates the infamously violent struggles over forests in the U.S. Southwest.

Understories: Plants and Culture in the American Tropics establishes the central importance of plants to the histories and cultures of the extended tropical region stretching from the U.S. South to Argentina. Through close examination of a number of significant plants – cacao, mate, agave, the hevea brasilensis, kudzu, the breadfruit, soy, and the ceiba pentandra, among others – this volume shows that vegetal life has played a fundamental role in shaping societies and in formulating cultural and environmental imaginaries in and beyond the region. Drawing on a wide range of cultural traditions and forms across literature, popular music, art, and film, the essays included in this volume transcend regional and linguistic boundaries to bring together multiple plant-centred histories or ‘understories’ – narratives that until now have been marginalized or gone unnoticed. Attending not only to the significant influence of humans on plants, but also of plants on humans, this book offers new understandings of how colonization, globalization, and power were, and continue to be, imbricated with nature in the American tropics.