Useful for owners of Edwardian and Inter-war houses, this work offers advice on renovation, restoration, fault-finding, repair, and maintenance. Topics covered include: historical background and description of dwelling types; constructional anatomy of Edwardian and Inter-war houses; alterations and improvements; and more.

Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.

This is a mine of historical and practical information for house-proud owners of any one of the millions of British houses built between 1900 and 1939. The book covers houses of all types and sizes, from Edwardian terraces and villas to suburban semis and country houses and cottages.

Understanding Housing Defects provides a concise, coherent and comprehensive introduction to the causes, investigation and diagnosis of defects in domestic buildings. For this new edition, many of the chapters have been substantially updated and new photographs have been added. There are four new chapters covering: How defects are defined An overview of building and architectural history External joinery and painted finishes Environmental and health- related building problems Many of the 21 chapters cover a specific building element and include a brief introduction setting out construction principles and the evolution of current practice. All of the chapters consider the identification, cause and diagnosis of common (and sometimes not so common) defects. This book is a must have for all those students and practitioners who require a broad understanding of housing defects. Building surveyors, general practice surveyors, architects, estate agents, housing officers and anyone involved in the management and maintenance of property as well as its construction will benefit hugely from this highly informative full-colour text. Written by the authors of The Construction of Houses, the book is also the natural companion to this bestselling textbook.

The Working Men’s College (WMC) is the UK’s oldest continuously running adult education institution, and a very distinctive example of the British adult education tradition. This volume brings the history of the WMC up to date, following the 1954 centenary history by JFC Harrison. Contributions from a range of professional educators explore topics such as the philosophy of the College, the issue of women’s entry, college governance and the notion of community as it applies to changes in the composition of the student body. Additional features include a chapter on the architectural history of the College; an interview with Satnam Gill as the key figure who drove through crucial change at a time when the College might have died; a chapter from the latest member of a family which has been closely involved with the College over four generations; and a range of personal contributions from tutors and students from the past six decades. This book will be of interest to historians of the nineteenth and twentieth centuries, all those in UK adult education, along with local Camden/London community and political groups and the WMC’s extensive family of former students and tutors.

Ideal homes investigates the tastes and aspirations of the suburban communities that emerged in Britain after the First World War. It explores how new class and gender identities were forged through the architecture and decoration of the home. This edition includes a chapter on researching the history of your own house.

Domestic Modernism, the Interwar Novel, and E. H. Young provides a valuable analytical model for reading a large body of modernist works by women, who have suffered not only from a lack of critical attention but from the assumption that experimental modernist techniques are the only expression of the modern. In the process of documenting the publication and reception history of E. H. Young's novels, the authors suggest a paradigm for analyzing the situation of women writers during the interwar years. Their discussion of Young in the context of both canonical and noncanonical writers challenges the generic label and literary status of the domestic novel, as well as facile assumptions about popular and middlebrow fiction, canon formation, aesthetic value, and modernity. The authors also make a significant contribution to discussions of the everyday and to the burgeoning field of 'homeculture,' as they show that the fictional embodiment and inscription of home by writers such as Young, Virginia Woolf, Elizabeth Bowen, Ivy Compton-Burnett, Lettice Cooper, E. M. Delafield, Stella Gibbons, Storm Jameson, and E. Arnot Robertson epitomize the long-standing symbiosis between architecture and literature, or more specifically, between the house and the novel.