Excerpts from literature are used to demonstrate key sociological concepts.

In spite of their differing rhetorics and cognitive strategies, sociology and literature are often concerned with the same objects: social relationships, action, motivation, social constraints and relationships, for example. As such, sociologists have always been fascinated with fictional literature. This book reinvigorates the debate surrounding the utility of fiction as a sociological resource, examining the distinction between the two forms of writing and exploring the views of early sociologists on the suitability of subjecting literary sources to sociological analysis. Engaging with contemporary debates in this field, the author explores the potential sociological use of literary fiction, considering the role of literature as the exemplification of sociological concepts, a non-technical confirmation of theoretical insights, and a form of empirical material used to confirm a set of theoretically oriented assumptions. A fascinating exploration of the means by which the sociological eye can be sharpened by engagement with literary sources, Fiction and Social Reality offers a set of methodological principles according to which literature can be examined sociologically. As such, it will appeal to scholars of sociology and literary studies with interests in research methods and interdisciplinary approaches to scholarly research.

This book is primarily a research-informed textbook aimed at any reader with an interest in using film and literature in sociological and social science research.

Written entirely in East coast Scots A Working Class State of Mind, the debut book by Colin Burnett, brings the everyday reality and language of life in Scotland to the surface. Colin's fiction takes themes in the social sciences and animates them in vivid ethnographic portrayals of what it means to be working class in Scotland today. Delving into the tragic exploits of Aldo as well as his long time suffering best friends Dougie and Craig, the book follows these and other characters as they make their way in a city more divided along class lines than ever before.

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This book presents a comprehensive study of nearly 100 of Kaaroor’s short stories. Kaaroor Neelakanta Pillai is one among the Big Six of the ‘new wave’ in Malayalam literature which began in the mid-1940s. The Big Six and their immediate followers wrote about the common man, peasants, pavement-dwellers, fishermen, rickshaw-pullers, underpaid school teachers — their lives, aspirations and vulnerabilities. By treating Kaaroor’s stories as case studies, the book takes a sociological approach to understanding the representation of a wide array of themes: romantic overtones, erotic pursuits, marital episodes, issues of family, lives of children, behavioural patterns, shades of greed, the idea of spirituality and politics in Malayalam literature. With its annotated transcreation and detailed commentary, this book brings Kaaroor’s works to the general reader, and will be useful to scholars and researchers of South Asian literature, English literature, linguistics, cultural studies, besides those interested in Malayalam literature and the Malayali/Indian diaspora across the world.

Well-known critic Brian Stableford, a former professor at the University of Reading, contributes "a fascinating and valuable attempt to grapple with the questions of why SF authors write what they write, and why SF readers like what they like"-Interzone. Contents: Introduction; Approaches to the Sociology of Literature; The Analysis of Communicative Functions; The Evolution of Science Fiction as a Publishing Category; The Expectations of the Science Fiction Reader; Themes and Trends in Science Fiction; and Conclusion: The Communicative Functions of Science Fiction. Complete with Notes and References, Bibliography, and Index.