This work makes available a mass of useful information, including details of the technical aspects of book making, the vexed question of first editions and the matters of completeness and condition. Contains an excellent glossary.

Years ago, Lucas Davenport almost died at the hands of Clara Rinker, a pleasant, soft-spoken, low-key Southerner, and the best hitwoman in the business. Now retired and living in Mexico, she nearly dies herself when a sniper kills her boyfriend, the son of a local druglord, and while the boy's father vows vengeance, Rinker knows something he doesn't: The boy wasn't the target-she was-and now she is going to have to disappear to find the killer herself. The FBI and DEA draft Davenport to help track her down, and with his fiancie deep in wedding preparations, he's really just as happy to go-but he has no idea what he's getting into. For Rinker is as unpredictable as ever, and between her, her old bosses in the St. Louis mob, the Mexican druglord, and the combined, sometimes warring, forces of U.S. law enforcement, this is one case that will get more dangerous as it goes along. And when the crossfire comes, anyone standing in the middle won't stand a chance.... Filled with the rich characterization and exceptional drama that are his hallmarks, Mortal Prey proves that John Sandford just keeps getting better.

"Will always hold an honorable place for bibliophiles." — The University of Chicago Press One of the earliest treatises on the value of preserving neglected manuscripts, building a library, and book collecting, Richard De Bury's The Philobiblon was written in 1345 and circulated widely in manuscript form for over a century. The first printed edition appeared in Cologne in 1473, and several others soon followed as the invention of the printing press spread throughout the late Medieval world. The chapter titles of this legendary work reflect its nature, combining the author's love for and commitment to the importance of books and the knowledge they contain with thoughts on collecting them, lending them, teaching with them, and simply enjoying them: "That the Treasure of Wisdom is chiefly contained in books," "What we are to think of the price in the buying of books," "Who ought to be special lovers of books," and "Of the manner of lending all our books to students." The Prologue ends with the following thought: "And this treatise (divided into twenty chapters) will clear the love we have had for books from the charge of excess, will expound the purpose of our intense devotion, and will narrate more clearly than light all the circumstances of our undertaking. And because it principally treats of the love of books, we have chose after the fashion of the ancient Romans fondly to name it by a Greek word, Philobiblon." This volume offers modern bibliophiles a splendid edition of one of the first books ever to study, define, and, above all, praise their passion: the all-encompassing love of books.

A new edition of the classic guide to book collecting includes a new section on Internet resources.

A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.