A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.

A 2023 Choice Reviews Outstanding Academic Title Reading Darwin in Imperial Russia: Literature and Ideas expands upon the cataloging efforts of earlier scholarship on Darwin’s reception in Russia to analyze the rich cultural context and vital historical background of writings inspired by the arrival of Darwin’s ideas in Russia. Starting with the first Russian translation of The Origin of Species in 1864, educated Russians eagerly read Darwin’s works and reacted in a variety of ways. From enthusiasm to skepticism to hostility, these reactions manifested in a variety of published works, starting with the translations themselves, as well as critical reviews, opinion journalism, literary fiction, and polemical prose. The reception of Darwin spanned reverent, didactic, ironic, and sarcastic modes of interpretation. This book examines some of the best-known authors of the second half of the nineteenth century (Dostoevsky, Chernyshevsky, Chekhov) and others less well-known or nearly forgotten (Danilevsky, Timiriazev, Markevich, Strakhov) to explore the multi-faceted impact of Darwin’s ideas on Russian educated society. While elements of Darwin’s Russian reception were comparable to other countries, each author reveals distinctly Russian concerns tied to the meaning and consequences of the challenge posed by Darwinism. The scholars in this volume demonstrate not only what the authors wrote, but why they took their unique perspectives.

The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.

The inspiring story of three young Sudanese boys who were driven from their homes by civil war and began an epic odyssey of survival, facing life-threatening perils, ultimately finding their way to a new life in America. Between 1987 and 1989, Alepho, Benjamin, and Benson, like tens of thousands of young boys, took flight from the massacres of Sudan's civil war. They became known as the Lost Boys. With little more than the clothes on their backs, sometimes not even that, they streamed out over Sudan in search of refuge. Their journey led them first to Ethiopia and then, driven back into Sudan, toward Kenya. They walked nearly one thousand miles, sustained only by the sheer will to live. They Poured Fire on Us from the Sky is the three boys' account of that unimaginable journey. With the candor and the purity of their child's-eye-vision, Alephonsian, Benjamin, and Benson recall by turns: how they endured the hunger and strength-sapping illnesses-dysentery, malaria, and yellow fever; how they dodged the life-threatening predators-lions, snakes, crocodiles and soldiers alike-that dogged their footsteps; and how they grappled with a war that threatened continually to overwhelm them. Their story is a lyrical, captivating, timeless portrait of a childhood hurled into wartime and how they had the good fortune and belief in themselves to survive.

Sandy lived and worked in South Africa between 1988 and 2003, years coinciding with some of the most tumultuous and significant events in the history of the nation, including the release of Mandela. Set against a background of profound political and social change, Sandy tells her personal story with honesty, passion, intelligence and humour. As a community development worker in the townships she witnessed the brutality of life under the apartheid regime yet at the same time she was bewitched by the uncrushable richness and vibrancy of the culture and traditions of the people, and the grandeur and beauty of the land. Her encounters were intense and often dangerous. While living with a black family in a township she was caught up in the violence of the 1990 Seven Day War between Inkatha and ANC factions, in which hundreds were killed. She was forced to flee from gun-wielding attackers and watched helplessly as a young man was shot dead in the driveway of her home. Through her work she met the man who was to become her husband, and began the next phase of her life as a member of an extended and welcoming traditional, rural black South African Family. Together she and her husband sought to contribute to the rebuilding and transformation of a post apartheid nation. At first it seemed their love and commitment were strong enough to overcome the prejudice of the white and black communities, prejudices that were exacerbated by their adoption of her husband's young niece, followed by the birth of their own son. But having given up so much for the love of a man of Africa, Sandy found that no amount of commitment and determination could prevent the rifts that formed within her marriage. Her final choice was unavoidable, she left her marriage and the land she loved to return to Australia and begin a new life. But she will carry forever in her heart the land that changed her life, and which she in turn sought to support on its journey towards freedom.

Though delighted that an orphan boy has come into his life, an old man becomes insatiably curious about the boy's mysterious powers.

It is 1834. The Eastern Cape frontier is burning. Rauch Beukes, a young Boer of 17, returns to the family homestead to find it razed, the livestock gone and his mother and sisters slaughtered by the marauding Xhosa from across the Great Fish River. So begins a tale of violence and warfare and love and lust across racial divides, painted against the