In the rich and varied life stories in Under the Black Umbrella, elderly Koreans recall incidents that illustrate the complexities of Korea during the colonial period. Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the "black umbrella" of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. "Most people," Kang says, "have read or heard only the horror stories which, although true, tell only a small segment of colonial life."The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human—the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.

The weather has never been worse. The man with the stormy heart is soaked and he's going to be late! His mood is as black as the sky. Outside a nearby patisserie, a little boy stands under the shelter of its awning, gazing at the beautiful treats on display. When the wind snatches the man's umbrella and drops it at the child's feet, can this hasty curmudgeon slow down long enough for an unlikely friendship to blossom? Catherine Buquet's touching debut in lyrical rhyme, accompanied by Marion Arbona's bold and stylish illustrations, celebrates intergenerational friendship and the magic of sharing. It also reminds children and adults alike that bright moments can be found on even the gloomiest of days.

Giles Fairhaven, Viscount Kincade, does not believe his life can get much worse after his purse is stolen at an inn before he has paid his bill and then he is set upon by three ruffians in the inn yard before he can leave. But it does grow worse when a little slip of a lady clad only in a flannel nightgown and wielding a large black man's umbrella comes to his rescue and puts his assailants to rout and then--after he has left--pays his reckoning at the inn plus the money he lost the evening before in a card game with a fellow guest plus what he owed the barmaid with whom he spent the night. The ensuing gossip is almost too much humiliation for Giles to bear. Yet when he finds and confronts Daisy Morrison in London, far from being cowed by his displeasure, she declares with sunny good nature that if he insists upon repaying the slight favour she was able to do for him, then he can recommend a lady sponsor to her so that she may find a husband for her younger sister among the gentlemen of the ton. Inexplicably, Giles finds himself agreeing. His troubles are only just beginning.

“A subtle, deceptively simple book about inclusion, hospitality, and welcoming the ‘other.’” —Kirkus Reviews “A boundlessly inclusive spirit...This open-ended picture book creates a natural springboard for discussion.” —Booklist “This sweet extended metaphor uses an umbrella to demonstrate how kindness and inclusion work...A lovely addition to any library collection, for classroom use or for sharing at home.” —School Library Journal In the tradition of Alison McGhee’s Someday, beloved illustrator Amy June Bates makes her authorial debut alongside her eleven-year-old daughter with this timely and timeless picture book about acceptance. By the door there is an umbrella. It is big. It is so big that when it starts to rain there is room for everyone underneath. It doesn’t matter if you are tall. Or plaid. Or hairy. It doesn’t matter how many legs you have. Don’t worry that there won’t be enough room under the umbrella. Because there will always be room. Lush illustrations and simple, lyrical text subtly address themes of inclusion and tolerance in this sweet story that accomplished illustrator Amy June Bates cowrote with her daughter, Juniper, while walking to school together in the rain.

"A brother is as easily forgotten as an umbrella."--James Joyce, "Ulysses" 1918 Audrey Death--feminist, socialist and munitions worker at Woolwich Arsenal--falls ill with encephalitis lethargica as the epidemic rages across Europe, killing a third of its victims and condemning a further third to living death. 1971 Under the curious eyes of psychiatrist Dr. Zack Busner, assumed mental patient Audrey Death lies supine in bed above a spring grotto that she has made every one of the forty-nine years she has resided in Friern Mental Hospital. 2010 Now retired, Dr. Busner travels waywardly across North London in search of the truth about that tumultuous summer when he awoke the post-encephalitic patients under his care using a new and powerful drug. Weaving together a dense tapestry of consciousness and lived life across an entire century, in his latest and most ambitious novel, Will Self takes up the challenge of Modernism and reveals how it--and it alone--can unravel new and unsettling truths about our world and how it came to be.

"Certain things are better kept than said. . . . But certain things you have to find out now. . . ." On the tumultuous streets of Manila, where the earth is as brown as a tamarind leaf and the pungent smells of vinegar and mashed peppers fill the air, where seasons shift between scorching sun and torrential rain, eleven-year-old Gringo strives to make sense of his family and a world that is growing increasingly harsher before his young eyes. There is Gringo's older brother, Pipo, wise beyond his years, a flamboyant, defiant youth and the three-time winner of the sequined Miss Unibers contest; Daddy Groovie, whiling away his days with other hang-about men, out of work and wilting like a guava, clinging to the hope of someday joining his sister in Nuyork; Gringo's mother, Estrella, moving through their ramshackle home, holding her emotions tight as a fist, which she often clenches in anger after curfew covers the neighborhood in a burst of dark; and Ninang Rola, wise godmother of words, who confides in Gringo a shocking secret from the past--and sets the stage for the profound events to come, in which no one will remain untouched by the jagged pieces of a shattered dream. As Gringo learns; shame is passed down through generations, but so is the life-changing power of blood ties and enduring love. In this lush, richly poetic novel of grinding hardship and resilient triumph, of selfless sacrifice and searing revelation, Bino A. Realuyo brings the teeming world of 1970s Manila brilliantly to life. While mapping a young boy's awakening to adulthood in dazzling often unexpected ways, The Umbrella Country subtly works sweet magic.

From this award-winning creative duo comes a stunning celebration of the joy and comfort that love can bring - wherever we roam in the big, wild world. Whatever you fear, come close my dear You're tucked in safe for always here And I will never not be near Because of our love umbrella A celebration of the joy and comfort that love can bring - in a special edition for the very smallest of readers.