“This novel brilliantly explores the lives of one bloodline of Alaskan women struggling to make a home for themselves in a small fishing community.” —Devin Murphy, national-bestselling author of Tiny Americans In 1939, everything changes for Anne Girl when outsider John Nelson grounds his sailboat on the shores, into Anne Girl’s skiff, and into her life during a rare storm in the Alaskan fishing village of Nushagak. When Anne Girl and her mother Marulia find their skiff flattened by John’s boat, Anne Girl decides she both hates and wants him. Thus begins a generational saga of strong, stubborn Yup’ik women living in a village that has been divided between the new and the old, the bluff side and the missionary side, the cannery side and the subsistence side. Under Nushagak Bluff is “an alluring and beautiful story of community and culture . . . a tale that reveals the real heart of Alaska” (Don Rearden, author of The Raven’s Gift). “Heavener has gifted readers with a story both dreamy and authentic, a story made of many individual stories and celebrating oral storytelling and the value of stories altogether.” —Anchorage Daily News “Honors on every page a combination of sea, sky, beach, and tundra, along with the returning salmon, the crying gulls, and the ripe berries they bear.” —Denali Sunrise “[A] story of generational inheritances and expectations, fate, and loyalty is filtered through the tough voices of Alaskan women.” —Foreword Reviews “An intriguing and important window into life among an Indigenous people and beautifully illustrates the push and pull of assimilation in pre-state Alaska.” —Kirkus Reviews

Longlisted for the 2018 Scotiabank Giller Prize Shortlisted for the 2019 Amazon First Novel Award Shortlisted for the 2019 Kobo Emerging Writer Prize Winner of the 2019 Indigenous Voices Award for Published Prose in English Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction Longlisted for the 2019 Sunburst Award From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

This fable of an indigenous Arctic people “offers profound considerations about stewardship of and people’s relationships to the natural world” (Publishers Weekly). Nau cannot remember a time when she was not one with the world around her: with the fast breeze, the green grass, the high clouds, and the endless blue sky above the Shingled Spit. But her greatest joy is to visit the sea, where whales gather every morning to gaily spout rainbows. Then one day, she finds a man in the mist where a whale should be: Reu, who has taken human form out of his Great Love for her. Together these first humans become parents to two whales, and then to mankind. Even after Reu dies, Nau continues on, sharing her story of brotherhood between the two species. But as these origins grow distant, the old woman’s tales are subsumed into myth—and her descendants are increasingly bent on parading their dominance over the natural world. Buoyantly translated into English for the first time by Ilona Yazhbin Chavasse, this new entry in the Seedbank series is at once a vibrant retelling of the origin story of the Chukchi, a timely parable about the destructive power of human ego—and another unforgettable work of fiction from Yuri Rytkheu, “arguably the foremost writer to emerge from the minority peoples of Russia’s far north” (New York Review of Books). “We have so little intimate information about these Arctic people, and the writer’s deep emotional attachment to this landscape of ice (today melting away under global warming forces) makes every sentence seem a poetic revelation.” —Annie Proulx

These linked essays form a memoir exploring the American outback from eastern Oregon horse trails to the arctic and subarctic river towns of Alaska. In Mostly Water, Alaska-based journalist and nature writer Mary Odden shares a series of personal essays celebrating the beauty and independent spirit of America’s remote and rural Northern spaces. In these landscapes, human dwellers are entwined in histories and anecdotes as loopy as northern rivers. Odden invites the reader to a vivid patchwork of characters and seldom-seen places, with a soundtrack from fiddle dances and a menu that is “half potlatch and half potluck.” Each essay features a recipe for a traditional regional dish, such as mincemeat, creamed salmon, and lingonberry sauce. As the stories unfold, events of the churning twenty-first century rise like the sea—as does a love of human togetherness and the precious otherness of nature.

Menadelook showcases nearly one hundred photographs taken by the Inupiat photographer Charles Menadelook that document life in Wales in the Bering Strait between Alaska and Russia, in the early 1900s. Photographs of Inupiat life in the early twentieth century are rare, and photographs taken by an indigenous person are nearly nonexistent. These photographs provide a unique view into the Inupiat world during the early twentieth century and give both a pictorial and Native perspective on Inupiat traditions and historical events.

Fierce Climate, Sacred Ground is an ethnographic account of the impacts of climate change in Shishmaref, Alaska. In this small Iupiaq community, flooding and erosion are forcing community members to consider relocation as the only possible solution for long-term safety. However, a tangled web of policy obstacles, lack of funding, and organizational challenges leaves the community without a clear way forward, creating serious questions of how to maintain cultural identity under the new climate regime. Elizabeth Marino analyzes this unique and grounded example of a warming world as a confluence of political injustice, histories of colonialism, global climate change, and contemporary development decisions. The book merges theoretical insights from disaster studies, political analysis, and passages from field notes into an eminently readable text for a wide audience. This is an ethnography of climate change; a glimpse into the lived experiences of a global phenomenon.--(Source of description unspecified.)