A private investigator visite the secluded mining town of Stillwell, Colorado, to find a missing miner named Randall Cook. The trail leads to a tangled mystery when the investigator learns that Cook is dead, buried under a rockfall in the mine. As the PI digs deeper, he suspects that the story behind the death isn’t as simple as it seems. With the tight-knit town hiding secrets and the mine’s dangers looming, the investigator must navigate a delicate balance between truth and survival.

In hard rock terrain, shallow water wells generally have a poor to moderate yield. Sinking wells deeply to tap yielding fracture zones often backfires, because the borehole may miss the saturated fracture zones at depths. A wrong approach to groundwater exploration in hard rock has therefore often led to unnecessary recurring expenditures and waste

This book contains the results and findings of the advanced research carried out in a pilot area with a thorough investigation of the structure and functioning of an aquifer in a granitic formation. It characterizes the hard rock aquifer system and examines its properties and behavior as well as systematically details the geophysical, geological and remote sensing applications to conceptualize such an aquifer system.

The safe and economical construction of tunnels, mines, and other subterranean works depends on the correct choice of support systems to ensure that the excavations are stable. These support systems should be matched to the characterstics of the rock mass and the excavation techniques adopted. Establishing the support requirements, designing support systems and installing these correctly are essential elements in safe underground construction. This is a comprehensive and practical work which also gives access to user-friendly computer programmes which enable the investigation and design of support techniques. Details on how to obtain this software are also included in the book.

Hard rock hydraulics concerns arrangements of adjoining intact rock blocks, occurring down to a depth of hundreds of meters, where groundwater percolates within the gaps between these blocks. During the last decades, technical papers related to successful or failed attempts for mining groundwater from hard rocks, and achievements or failures of public or mining developments with respect to these rocks, increased the knowledge of their hydraulics. Examples of activities where the mechanical behavior of these rocks highly interacts with their hydraulics are projects under the sea or groundwater level, such as open pits or underground mines, galleries, tunnels, shafts, underground hydropower plants, oil and LPG storage caverns, and deep disposal of hazardous waste. This book dedicated to hard rock hydraulics assumes some prior knowledge of hydraulics, geology, hydrogeology, and soil and rock mechanics. Chapter I discusses the main issues of modeling; chapter II covers the fundamentals of hard rock hydraulics; chapter III presents concepts regarding approximate solutions; chapter IV discusses data analysis for groundwater modeling; chapter V focuses on finite differences and chapter VI provides examples of some particular unusual applications. This book will help civil and mining engineers and also geologists to solve their practical problems in hydrogeology and public or mining projects.

Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.

The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.