In October 2008, Mellissa Fung, a long-time reporter for CBC’s The National, was leaving a refugee camp outside of Kabul. Suddenly, she was grabbed by armed men claiming to be Taliban, stabbed, stuffed into the back of a car and driven off into the desert. When the group finally reached a village in the middle of nowhere, her kidnappers pushed her towards a hole in the ground. For twenty-eight days, Mellissa Fung lived in that hole, which was barely big enough to stand up or lie down in, nursing her injuries, praying, writing in her notebook and, as a veteran journalist, interrogating her own captors. Under an Afghan Sky is the gripping tale of Fung’s days in captivity, and a powerful book about survival and the indomitable spirit of one woman in the most perilous of circumstances.

An eye-opening, heart-rending tale of love, honor and betrayal from veteran foreign news correspodent Atia Abawi Fatima is a Hazara girl, raised to be obedient and dutiful. Samiullah is a Pashtun boy raised to defend the traditions of his tribe. They were not meant to fall in love. But they do. And the story that follows shows both the beauty and the violence in current-day Afghanistan as Fatima and Samiullah fight their families, their cultures and the Taliban to stay together. Based on the people Atia Abawi met and the events she covered during her nearly five years in Afghanistan, this stunning novel is a must-read for anyone who has lived during America's War in Afghanistan. Perfect for fans of Patricia McCormick, Linda Sue Park, and Khaled Hosseini, this story will stay with readers for a long time to come. * “A suspenseful, enlightening, and hopeful love story.” Publishers Weekly, starred review “Riveting plot, sympathetic characters and straightforward narration studded with vivid, authentic detail: a top choice.” – Kirkus review “Heartbreaking and heartwarming.” – VOYA review

These twelve short stories dive deeply into the imaginary worlds of Afghan women, where everyday life is marked and marred by war. They speak of wounded love, capture, confinement, talismans, borders, and wolves. Contributing authors include Wasima Badghisi, Batool Haidari, Alia Ataee, Sedighe Kazemi, Khaleda Khorsand, Masouma Kawsari, Mariam Mahboob, Toorpekai Qayum, Manizha Bakhtari, Homeira Qaderi, Parween Pazhwak, and Homayra Rafat.

Gold Medal at the 2012 Moonbeam Children's Book Awards. With lyrical, stirring text and stunning, evocative artwork, The Sky of Afghanistan offers a moving ode to dreamers, to peace, and to finding hope for ending war once and for all. In a country ravaged by war, a girl looks up at the sky, closes her eyes and her imagination begins to soar, far away from hatred, from sadness. She flies up high, high above into the sky, until she envisions that long-awaited dream in which we all hold hands. She invites us to dream with her so that in her country, Afghanistan, peace may reign forever. Her dream is directed to all regions, she enters homes, homes, families, hearts. An ode to peace that reminds us of the need to be supportive and tolerant.

Farah Ahmedi's "poignant tale of survival" ("Chicago Tribune") chronicles her journey from war to peace. Equal parts tragedy and hope, determination and daring, Ahmedi's memoir delivers a remarkably vivid portrait of her girlhood in Kabul, where the sound of gunfire and the sight of falling bombs shaped her life and stole her family. She herself narrowly escapes death when she steps on a land mine. Eventually the war forces her to flee, first over the mountains to refugee camps across the border, and finally to America. Ahmedi proves that even in the direst circumstances, not only can the human heart endure, it can thrive. "The Other Side of the Sky" is "a remarkable journey" ("Chicago Sun-Times"), and Farah Ahmedi inspires us all.

COLBY AWARD WINNER • “One of the most important books to come out of the Afghanistan war.”—Foreign Policy “A saga of courage and futility, of valor and error and heartbreak.”—Rick Atkinson, author of the Liberation Trilogy and The British Are Coming Of the many battlefields on which U.S. troops and intelligence operatives fought in Afghanistan, one remote corner of the country stands as a microcosm of the American campaign: the Pech and its tributary valleys in Kunar and Nuristan. The area’s rugged, steep terrain and thick forests made it a natural hiding spot for local insurgents and international terrorists alike, and it came to represent both the valor and futility of America’s two-decade-long Afghan war. Drawing on reporting trips, hundreds of interviews, and documentary research, Wesley Morgan reveals the history of the war in this iconic region, captures the culture and reality of the conflict through both American and Afghan eyes, and reports on the snowballing missteps—some kept secret from even the troops fighting there—that doomed the American mission. The Hardest Place is the story of one of the twenty-first century’s most unforgiving battlefields and a portrait of the American military that fought there.

A People Book of the Week & a Kirkus Best Nonfiction of the Year An exquisite and inspiring memoir about one mother’s unimaginable choice in the face of oppression and abuse in Taliban-controlled Afghanistan. In the days before Homeira Qaderi gave birth to her son, Siawash, the road to the hospital in Kabul would often be barricaded because of the frequent suicide explosions. With the city and the military on edge, it was not uncommon for an armed soldier to point his gun at the pregnant woman’s bulging stomach, terrified that she was hiding a bomb. Frightened and in pain, she was once forced to make her way on foot. Propelled by the love she held for her soon-to-be-born child, Homeira walked through blood and wreckage to reach the hospital doors. But the joy of her beautiful son’s birth was soon overshadowed by other dangers that would threaten her life. No ordinary Afghan woman, Homeira refused to cower under the strictures of a misogynistic social order. Defying the law, she risked her freedom to teach children reading and writing and fought for women’s rights in her theocratic and patriarchal society. Devastating in its power, Dancing in the Mosque is a mother’s searing letter to a son she was forced to leave behind. In telling her story—and that of Afghan women—Homeira challenges you to reconsider the meaning of motherhood, sacrifice, and survival. Her story asks you to consider the lengths you would go to protect yourself, your family, and your dignity.