The Undead War means a battle of survival for the remaining pockets of humanity. It's the only thing that matters these days. Survive and win at all cost. The old ways of life mean nothing anymore. Those God-forsaken 9-to-5 jobs, the bills, the corporate empires, politicians bickering over stupid crap, all those laws on the books and everything that meant anything were swept aside. That includes those nice big screens televisions, computers, jewelry, gold, those fancy cars and the money that everyone slaved their asses off to get - it don't mean a damn thing anymore. When those things came back to life, the governments said they were going to eradicate the undead, the zombies, zekes, ferals, walkers or whatever those damned things are being called these days, but instead the governments the world over just collapsed. There's nothing left of the old ways of life just the surviving and dying.

What happens when the zombie apocalypse turns out to be a zombie aberration? Three years have passed since the rising of the undead, and life has more or less returned to normal. Zombie encounters are now few and far between. The undead are more of a nuisance than a menace; they are less likely to sink their teeth into unsuspecting civilians than they are to be attacked by vigilantes and rabid lynch mobs. Laws have been passed for the zombies’ own protection, and they are safely and humanely quarantined from society. Dead Rite, an undead management and control firm, suddenly finds itself on the brink of bankruptcy. The zombie population is dwindling and the bills are piling up. So when a lucrative opportunity unexpectedly presents itself, it seems almost too good to be true. A tale of misfits, weirdos, outcasts, alcoholics, trust fund activists, dead-head hippies, sleazy politicians and psychotic hillbillies; all foot soldiers fighting in the war on horror.

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

Nothing brings the family together like a zombie apocalypse ... Fifteen-year-old Jeremy Barnes would rather watch a zombie movie than shoot a real one, but he has no choice if his family wants to survive the end of the world. Their plan? Drive across the infected United States to a cabin in the Colorado Rockies without a scratch, but their trip takes a complicated detour in the middle of Nebraska when they find Kaylynn, a girl who can handle a baseball bat better than Jeremy can hold a .45 Beretta. And when they stumble into a sanctuary, Jeremy soon learns that Kaylynn is stronger than she looks-a deadly secret lies inside her. After the radio picks up a distress call from Kansas City about a possible cure, Jeremy's parents go with a team to investigate. They never return. The only way to find their parents is for Jeremy and his sister Jewel to rely on a dangerous girl who might just turn on them at any moment.

Now, for the first time, Mira Grant's complete New York Times bestselling NEWSFLESH trilogy is available in a single volume. "Alive or dead, the truth won't rest. My name is Georgia Mason, and I am begging you. Rise up while you can." The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives —the dark conspiracy behind the infected. The truth will out, even if it kills them.

“Joe Nassise has raised the bar for the whole genre.” —Jonathan Maberry, New York Times bestselling author of The Dragon Factory Combine the take-no-prisoners heroic grit of Quentin Tarantino’s Inglorious Basterds with the irreverent inventiveness of George A. Romero’s Dawn of the Dead, set it on the blood-and-gore-soaked European battlefields of World War One, and you get By the Blood of Heroes, a wildly imaginative alternate history zombie novel by acclaimed urban fantasy author Joseph Nassise. When the German high command employs a terrible new chemical weapon that reanimates the dead, Allied forces must take on the Kaiser’s zombie army in order to rescue a downed American flying ace in the first book of Nassise’s The Great Undead War saga. By the Blood of Heroes is a deliciously gruesome adventure that horror and alternate history lovers, steampunk aficionados, and fans of such zombie-centric offerings as TV’s The Walking Dead, popular literature’s World War Z, Pride and Prejudice and Zombies, and Zombie Haiku, and the Resident Evil video game and film series will eagerly devour.

In an apocalypse there is definitely a beginning where mistakes are made and the seeds of evil are allowed to sprout and take shape. However, an end is not so certain. Once an Apocalypse occurs not even death is certain. Sometimes death is only the beginning. At first light that morning, Dr Lee steps into the Walton facility on the first day of human trials and can barely contain her excitement. The labs are brand spanking new and everything is sharp and clean. They've been built to her specifications and are a scientist's dream. It's where cancer is going to be cured once and for all. By midnight it's a place of fire, of blood and of death...a death that, like the Apocalypse, is seemingly never ending.