In Texas in the 1840's, young Sul Ross runs away from home and, joining up with his friend Sergeant Hanse Mason, visits a friendly Comanche village, rescues ferry passenger from a flood, and is invited to run the ferry and study with the school teacher widow of the former ferry owner.

Profiles Cynthia Ann Parker, who was captured in 1836 at the age of nine and lived as a Comanche for more than twenty years.

New York Times bestselling author Catherine Anderson presents the first novel in her Comache series—a powerful historical romance about a man and a woman caught between two worlds… Orphaned seven years ago after witnessing the brutal murder of her parents at the hands of the Comanche people, golden-haired Loretta Simpson still lives in terror that the warriors will return—her fear so powerful, she is no longer able to speak a word. Called the U.S. Army’s most cunning adversary, Hunter of the Wolf believes that Loretta is the “honey-haired woman with no voice” of ancient prophecy—the one he must honor for all eternity. But Loretta can only see Hunter as the enemy who has stolen her, refusing to succumb to his control, or his touch. Despite the hatred intensifying between their peoples, Loretta and Hunter gradually find their prejudices giving way to respect, then flaring into feelings too dangerous to express. In the midst of such conflict, it will take all the force of their extraordinary love to find a safe place...

It's 1867 and eleven-year-old Fish Rawlings and his cousin are headed across Texas on a wagon train. But the trail is full of danger. A Comanche war party is on the prowl, looking for horses and scalps. Among the Indians is eleven year old Hunting Bear, who is riding his first war trail. Before the journey is over, he must prove himself worthy to be a warrior. Fish has been taught to hate Comanches. Hunting Bear has been taught to hate white men. But all of that changes when the two boys come face to face and become friends. Suddenly the lives of their peoples rest on the boys' shoulders. The Comanches have sworn to attack the wagon train. The white men have vowed to fight back and track down the warriors. Soon there will be bloodshed, and only Fish and Hunting Bear have a chance to stop it. But will they find a way?

Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.

Life histories are an excellent means of crosscultural understanding. In detailing the life of a Comanche medicine woman who wanted her methods recorded, Jones demonstrated such an intense interest in her training and experiences as a shaman that Sanapia not only accepted him as a valued biographer but also adopted him as a son. Readers will enjoy this intimate portrait of the last surviving Comanche Eagle doctor, revealed in descriptive accounts of her ritual behavior, her attitude toward the profession, the paraphernalia she employed, and her function in Comanche society.

The Life of Ten Bears is a remarkable collection of nineteenth-century Comanche oral histories given by Francis Joseph "Joe A" Attocknie. Although various elements of Ten Bears's life (ca. 1790-1872) are widely known, including several versions of how the toddler Ten Bears survived the massacre of his family, other parts have not been as widely publicized, remaining instead in the collective memory of his descendants. Other narratives in this collection reference lesser-known family members. These narratives are about the historical episodes that Attocknie's family thought were worth remembering and add a unique perspective on Comanche society and tradition as experienced through several generations of his family. Kavanagh's introduction adds context to the personal narratives by discussing the process of transmission. These narratives serve multiple purposes for Comanche families and communities. Some autobiographical accounts, "recounting" brave deeds and war honors, function as validation of status claims, while others illustrate the giving of names; still others recall humorous situations, song-ridicules, slapstick, and tragedies. Such family oral histories quickly transcend specific people and events by restoring key voices to the larger historical narrative of the American West.