The January/February 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Elizabeth Bear, S.B. Divya, Arkady Martine, Marissa Lingen, Sunny Moraine, Vivian Shaw, and R.K. Kalaw, reprinted fiction by Vandana Singh, essays by Fran Wilde, John Wiswell, Iori Kusano, Rebecca Roanhorse, and Sarah Monette, and poetry by Sofia Samatar & Del Samatar, Nitoo Das, Sonya Taaffe, and Ana Hurtado, interviews with S.B. Divya and Sunny Moraine by Caroline M. Yoachim, a cover by Tran Nguyen, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

The January/February 2019 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Fran Wilde, Natalia Theodoridou, Senaa Ahmad, Delilah S. Dawson, Marissa Lingen, and Inda Lauryn. Reprinted fiction by Ellen Kushner, essays by Linda D. Addison, Elsa Sjunneson-Henry, Alec Nevala-Lee, and Keidra Chaney, poetry by Cassandra Khaw, Sonya Taaffe, Hal Y. Zhang, and Jennifer Crow, interviews with Natalia Theodoridou and Marissa Lingen by Caroline M. Yoachim, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

The March/April 2022 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Maureen McHugh, Miyuki Jane Pinckard, Shaoni C. White, Carlos Hernandez, Emma Törzs, Stephen Graham Jones, and Margaret Dunlap. Reprint fiction by Richard Butner. Essays by Jo Wu, Rebecca Romney, Elsa Sjunneson, and Sarah Gailey, poetry by Lalini Shanela Ranaraja, Praise Osawaru, Mary Soon Lee, and Nnadi Samuel, interviews with Miyuki Jane Pinckard and Emma Törzs by Caroline M. Yoachim, a cover by Paul Lewin, and editorials by Liz Argall, Lynne M. Thomas and Michael Damian Thomas, and Meg Elison. About Uncanny Magazine Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Meg Elison, and Chimedum Ohaegbu, each issue of Uncanny includes new stories, poetry, articles, and interviews.

Bones of extinct species wander the edges of a campground, stalking their friends. An avenging assassin changes faces and finds they no longer exist. Couples fall in and out of something, a feeling that perhaps doesn't have a name, yet. In the town of Agape, the people who leave don't like to talk about it. Journey to the liminal space with acclaimed author Bonnie Jo Stufflebeam, where stories take place everywhere and nowhere, among the dead and the living, and and in times yet to be.

Advances in technology have enabled animators and video game designers to design increasingly realistic, human-like characters in animation and games. Although it was intended that this increased realism would allow viewers to appreciate the emotional state of characters, research has shown that audiences often have a negative reaction as the human likeness of a character increases. This phenomenon, known as the Uncanny Valley, has become a benchmark for measuring if a character is believably realistic and authentically human like. This book is an essential guide on how to overcome the Uncanny Valley phenomenon when designing human-like characters in digital applications. In this book, the author provides a synopsis of literature about the Uncanny Valley phenomenon and explains how it was introduced into contemporary thought. She then presents her theories on its possible psychological causes based on a series of empirical studies. The book focuses on how aspects of facial expression and speech can be manipulated to overcome the Uncanny Valley in character design. The Uncanny Valley in Games and Animation presents a novel theory that goes beyond previous research in that the cause of the Uncanny Valley is based on a perceived lack of empathy in a character. This book makes an original, scholarly contribution to our current understanding of the Uncanny Valley phenomenon and fills a gap in the literature by assessing the biological and social roots of the Uncanny Valley and its implications for computer-graphics animation.

The January/February 2022 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Leah Cypess, Christopher Caldwell, Natalia Theodoridou, Sarah Monette, Kylie Lee Baker, Wen-yi- Lee, and Tina Connolly. Reprint fiction by Caroline M. Yoachim. Essays by Alex Jennings, Lincoln Michel, Shingai Njeri Kagunda, and Louis Evans, poetry by Mehnaz Sahibzada, Sonya Taaffe, Dominik Parisien, and Lisabelle Tay, interviews with Christopher Caldwell and Sarah Monette by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Meg Elison. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Meg Elison, and Chimedum Ohaegbu, each issue of Uncanny includes new stories, poetry, articles, and interviews.