Anselmo López periodista desempleado a raíz de la crisis político económica que viene arrastrando su país, termina involucrándose en una historia llena de misticismos, riesgos, viajes, asesinatos y violencia, salpicado todo por un romance no convencional. Ante una situación inesperada en medio de un país que vive un gobierno déspota y corrupto, Anselmo termina dirigiendo una investigación con el objetivo de proteger a una persona muy querida, utilizando el recurso deductivo como base, se ve envuelto en un laberinto en el que continuamente choca con puertas cerradas y sorpresas generalmente desagradables, para finalmente quedar tan impresionado como el lector ante el desenlace.

A BRAND NEW TRILOGY from the author of the legendary WITCHER series, set during the vibrantly depicted Hussite wars. Reinmar of Bielau, called Reynevan, flees after being caught in an affair with a knight's wife. With strange, mystical forces gathering in the shadows and pursued not only by the Stercza brothers bent on vengeance, but also by the Holy Inquisition, Reynevan finds himself in the Narrenturm, the Tower of Fools, a medieval asylum for the mad, or for those who dare to think differently and challenge the prevailing order. The 'patients' of this institution form an incomparable gallery of colourful types: including, among others, the young Copernicus, proclaiming the truth of the heliocentric solar system. This is the first in an epic new series from the phenomenon, ANDRZEJ SAPKOWSKI, author of the WITCHER books Praise for Andrzej Sapkowski: 'Like Mieville and Gaiman, Sapkowski takes the old and makes it new' FOUNDATION 'Like a complicated magic spell, a Sapkowski novel is a hodge podge of fantasy, intellectual discourse and dry humour. Recommended' TIME

Drawing on cases, Stark identifies the problems with our current approach to domestic violence, outlines the components of coercive control, and then uses this alternate framework to analyse the cases of battered women charged with criminal offenses directed at their abusers.

Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.

Presentation of the author's psychoanalytic beliefs and experiences inchild psychoanalytic therapy.

The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.