Novel on the story of Umrao Jan Ada, courtesan of Lucknow.

Translated from the Urdu by Khushwant Singh. Umrao Jan Ada is perhaps one of the most enigmatic and forgotten female figures in South Asian Literature. The question of her existence, her beauty, her scholarly abilities and her poetic gift remain a mystery. The book is an account of Umrao's life as a Lucknawi courtesan, a nautch girl, delivered in first person by Umrao herself, and documented by a close friend. Written more than a hundred years ago, the novel recreates the gracious ambience of old Lucknow and takes the reader on a fascinating journey through the palaces of wealthy nawabs, the hideouts of the colorful vagabonds and the luxurious abodes of the city's courtesans.

Published in March of 1899, Muhammad Hadi Ruswa’s famous novel, Umrao Jaan Ada created a sensation when it came out, with its candid account of the life of Umrao Jaan, a semi-fictional, possibly real, Lucknow courtesan. Subsequent translations and films based on the book have further extended its fame. What is less known, however, is that a month after he wrote Umrao Jaan Ada, Ruswa penned a short text, a novella entitled Junun-e-Intezar (‘The Madness of Waiting,’ April 1899) in which Umrao avenges herself on her creator, Ruswa, by narrating the story of his life. Blurring the lines between truth and fiction, narrator and character, this clever narrative strategy gives the courtesan a speaking voice. Although there has been much interest in the original novel, this paratext has been completely forgotten; something this volume attempts to redress through a critical introduction which rethinks Umrao Jaan Ada and the Urdu literary milieu of late-nineteenth century Lucknow. This book contains both the Urdu text and its translation for the bilingual reader. Published by Zubaan.

How different is Pakistan's culture from that of India? Exploring various aspects of the arts, literature and heritage of Pakistan, Raza Rumi argues that culture in Pakistan is not particularly unique to the nation, but rather a part of the cultural identities shared by South Asians. From the songs of Kabir and the ballads of Bulleh Shah to the cult of the feminine in the Sindh region, Rumi takes a kaleidoscopic view of the deep-set cultural mores that tie India and Pakistan together. Going further, he examines aspects of the visual arts, poetry, music and literature of Pakistan that impact global cultural narratives. Finally, he introduces readers to contemporary Pakistani writers and artists and the milieu in which they express their creativity, giving us a fascinating glimpse into cultural productions in Pakistan today. Being Pakistani is a riveting account of artistic traditions and their significance in present-day Pakistan, presenting an alternative view of the country, beyond the usual headlines that focus on political instability and terrorism.

An English Translation Of 1790 Novel `Nashtar` , The Title Changed To Nautch Girl. Portrays Realistically The Contemporary Scene In The Author`S Time Which Makes It India`S First Modern Novel.

A quiet, unassuming novel of lyrical charm and infectious humour! The story could not be simpler. A girl marries and in course of time produces a child. The girl is city bred — her husband, a Sanskrit scholar, who has his heart in a remote village and where he takes her after marriage. That is all. Young, playful and mischievous Mohini dreams of a husband but her education and upbringing and the ideas of liberal professor father are unacceptable to her Brahmin traditioned grandmother. Marriage for love is discarded, matrimonial advertisements in the newspapers bring only embarrassment, and it is through a fortune teller that a match is made. Finally charming Mohini is wed and brought to grip with a different reality, a responsibility and a way of life to which she would gladly succumb if only her husband was closer. The unusual cast of characters include a passionate and romantic snake charmer, and a matriarch whose worship of tradition leads her to amorality. ‘Here is a quiet, unassuming novel that has moments of true lyric charm and infections humour. The writer has such a real feeling for people that his characters transcend national barriers and a western reader soon feels comfortable with the unusual cart — including the passionate and romantic snake charmer, the lovely girl whom none will marry because her horoscope is accursed, and the matriarch whose worship of tradition leads her to a amorality. We see the best of India – the best of any civilisation for that matter – in Mohini.' — The New York Times 'The customs of old and the ideas of a modern age clash in this fictional account of the marriage of a young girl and a country scholar.' —Saturday Review, New York 'A splendid novel that may take rank with Pearl Buck's The Good Earth.' — Chicago Tribune 'The story of evolution of seventeen year old, day dreaming girl filled with romantic notions into an emotionally and intellectually mature woman. Bhabani Bhattacharya, as ever, gives a perfectly round female character and paints Mohini’s every emotion with ease and dexterity of the seasoned artiste.' — Nagpur Times