This book offers an ethnographic and conceptual analysis of contemporary UFO phenomena, focusing specifically on Chilean ufology and the ufological “absurd”, nonsensical instances for their experiencers in which there is no conceptual way out. It asks how anthropology can come to terms with what is not said, what is not known, what is in the dark, or even with what both “is” and “is not”. The work draws on three years of participant observation with empirical ufologists, amateur sky watchers, and contactees of varying kinds in Chile. The chapters mobilize three main bodies of literature to elucidate the ufological absurd: negative theology, anthropology of play and deceit, and the physics of dark matter. They explore notions of parallax, paradox, and trickster anthropology. The author takes UFO phenomena, specifically the absurd aspects, as a heuristic with which to posit a conversation between domains; a conversation which highlights darknesses, finiteness, and the limits of representation and media in anthropology, one that could perhaps signal the route to a new language. Consideration is given to how not-knowing can be a space of extreme productiveness for the discipline. The argument put forward is that only by doing an anthropology that looks outside of itself for conceptual inspiration can we come to terms with the non-representable, the un-conceptualizable, the fully paradoxical. This innovative book will be of particular interest to scholars of anthropological theory and religion.

Art troubles anthropology. Anthropologists have often taken a philistine, sceptical position of distance towards art and aesthetics as a predominantly Western bourgeois institution. But art, not only as a Western institution, generated its own philistine and iconoclastic revisions and undoings, its anti-art, that have engaged anthropology into its theory and practice. Anthropology is thus part of the trouble with art. But trouble doesn’t necessarily obfuscate, it can also reveal and render visible fault lines and problems; troubles can be assemblages of disparate and even contradictory parts that paradoxically do work together. This volume proposes an anthropology that moves beyond philistinism and the contradictions between critical anthropologies of art and collaborative and experimental anthropologies with art.

"This book offers an ethnographic and conceptual analysis of contemporary UFO phenomena, focusing specifically on Chilean ufology and the ufological 'absurd', nonsensical instances for their experiencers in which there is no conceptual way out. It asks how anthropology can come to terms with what is not said, not known, with what is in the dark, or even with what both 'is' and 'is not'. The work draws on three years of participant observation with empirical ufologists, amateur sky watchers, and contactees of varying kinds in Chile. The chapters mobilize three main bodies of literature to elucidate the ufological absurd: negative theology, anthropology of play and deceit, and the physics of dark matter. They explore notions of parallax, paradox, and trickster anthropology. The author takes UFO phenomena, specifically the absurd aspects, as a heuristic with which to posit a conversation between domains; a conversation which highlights darknesses, finiteness, the limits of representation and media in anthropology, and that could perhaps signal the route to a new language. Consideration is given to how not-knowing can be a space of extreme productiveness for the discipline. The argument put forward is that only by doing an anthropology that looks outside of itself for conceptual inspiration can we come to terms with the non-representable, the un-conceptualizable, the fully paradoxical. This innovative book will be of particular interest to scholars of anthropological theory and religion"--

This book offers an ethnographic and conceptual analysis of contemporary UFO phenomena, focusing specifically on Chilean ufology and the ufological 'absurd', nonsensical instances for their experiencers in which there is no conceptual way out. It asks how anthropology can come to terms with what is not said, not known, with what is in the dark, or even with what both 'is' and 'is not'. The work draws on three years of participant observation with empirical ufologists, amateur sky watchers, and contactees of varying kinds in Chile. The chapters mobilize three main bodies of literature to elucidate the ufological absurd: negative theology, anthropology of play and deceit, and the physics of dark matter. They explore notions of parallax, paradox, and trickster anthropology. The author takes UFO phenomena, specifically the absurd aspects, as a heuristic with which to posit a conversation between domains; a conversation which highlights darknesses, finiteness, the limits of representation and media in anthropology, and that could perhaps signal the route to a new language. Consideration is given to how not-knowing can be a space of extreme productiveness for the discipline. The argument put forward is that only by doing an anthropology that looks outside of itself for conceptual inspiration can we come to terms with the non-representable, the un-conceptualizable, the fully paradoxical. This innovative book will be of particular interest to scholars of anthropological theory and religion.

System and Story is intended to develop a means for bridging the gap between critics of system and those who may find value in doing systematics from a Biblically oriented context. Narrative theologians have rightly identified and critiqued the development of system in academic theology. Unfortunately, they have not identified the ways in which systematic elements have always played a role in theological knowledge. This study demonstrates the inherent systematic tendencies that still exist in narrative approaches to theology, while at the same time acknowledging the appropriateness of aspects of the narrative critique of system. The reaction against Enlightenment modernism is examined from the perspective of the heightened role of system in religious epistemology. The work of Stanley Hauerwas serves to carry much of the conversation regarding the critique of system and a narrative alternative as it is discovered in communal formation. After summarizing Hauerwas' theology, if such a thing is possible, the final chapters explore the ecclesiological concerns of narrative theologians according to a more systematic rendering of pneumatology. A Biblical rendering of pneumatology from the perspective of the Spirit's role in ecclesiology allows for a modest (i.e., pre-modern) systematic presentation commensurate with narrative communal formation. Thus, the narrative attempt to once again do theology for the church is seen as compatible with a Scriptural (i.e., modestly systematic) theology of the Spirit.

The contributors to this book focus on the relationship between nature and society from a variety of theoretical and ethnographic perspectives. Their work draws upon recent developments in social theory, biology, ethnobiology, epistemology, sociology of science, and a wide array of ethnographic case studies -- from Amazonia, the Solomon Islands, Malaysia, the Mollucan Islands, rural comunities from Japan and north-west Europe, urban Greece, and laboratories of molecular biology and high-energy physics. The discussion is divided into three parts, emphasising the problems posed by the nature-culture dualism, some misguided attempts to respond to these problems, and potential avenues out of the current dilemmas of ecological discourse.