Tzedek, Tzedek Tirdof: Poetry, Prophecy, and Justice in Hebrew Scripture. Essays in Honor of Francis Landy on the Occasion of his 70th Birthday is a collection of essays by colleagues, friends, and students of Prof. Francis Landy. It is the second Festschrift dedicated to this remarkable teacher and colleague, friend and mentor, and thus bears witness to the remarkable esteem in which Prof. Landy is held in the Biblical Studies community and beyond (including literary studies, film studies, and poetry).

The final text of the Book of Micah provokes a series of questions: - Can the Book be read as a coherent composition or is it the result of a complex redaction history? - Was Micah a prophet of doom whose literary heritage was later softened by the inclusion of oracles of salvation? The essays in this book center around these questions. Some of them are of a more general character, while others analyze specific passages. Some articles discuss the Book of Micah by looking at specific themes (prophecy; religious polemics; metaphors). The others are concerned with the proclamation of a peaceful future (Micah 4:1-5); the famous moral incentive in Micah 6:8 and the question of prophetic and divine gender in Micah 7:8-13. They have two features in common: - A thorough reading of the Hebrew text informed by grammar and syntax. - A comparative approach: the Book of Micah is seen as part of the ancient Near Eastern culture. All in all, the author defends the view that the Book of Micah contains three independent literary elements: Micah 1: a prophecy of doom; Micah 2-5 a two-sided futurology, and 6-8 a later appropriation of Micah’s message.

This book is an examination of characters in the books of Kings; showing how understanding and interpretation of key characters affects readings of the story. The volume begins with more general pieces addressing how the study of characters can shed light on the composition history of Kings and on how characters and characterization can be considered with respect to ethics, particularly with respect to the moral complexity of biblical characters. Contributors then consider key characters within the Kings narrative in depth, such as Nathan, Bathsheba, Solomon and Jezebel. The contributors use their own specific expertise to analyze these characters and more, drawing on insights from literary theory and considering such approaches as questioning our view of a particular character with based on the character within the text with whom we identify. Contributors also assess whether or not characters as portrayed in the biblical text necessarily match up to their possible counterparts in history.

This volume, the second such tribute, reflects to extraordinary qualities of Prof. Francis Landy as a colleague, mentor, teacher, and friend.

"In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike-the Bible is omnipresent in the work of Margaret Atwood. This volume, the first of its kind, assembles cutting-edge literary and critical readings of Atwood and the Bible. The essays span the breadth of Atwood’s work including The handmaid’s tale, Alias Grace, the MaddAddam trilogy (Oryx and Crake, The year of the flood, and Madd-Addam), poetry, essays and more. Taking as a model Atwood’s own playful dialogues with the Bible, the contributors employ a variety of theoretical approaches (feminist, deconstructionist, animal theory, affect theory, and so on) to explore both the ancient and modern corpus of texts in dialogue with each other. In The handmaid’s tale, the Bible is famously used as a text that structures an entire society - though for precisely this reason it is a dangerous text that must be controlled by the elite, kept out of the hands of those who may turn it into an “incendiary device.” This volume exlores what happens when Atwood, and we as readers, take the Bible into our own hands. "Who Knows What We'd Make of It, If We Ever Got Our Hands on It?" assembles cutting edge literary and critical readings of Margaret Atwood and the Bible"--

"Exegesis has ethical dimensions. This is the case for the Bible, which has a foundational status in traditional perspectives that is simultaneously contested in the modern world. This innovative essay collection, largely about Hebrew Bible/Old Testament texts, is written by an international team - all Doktorkinder of a pioneer in this area, Professor John Barton, whose 70th birthday this volume celebrates. With interdisciplinary angles, the essays highlight the roles and responsibilities of the biblical scholar, often located professionally between religious and secular domains. This reflects a broader reality: all readers of texts are engaged ethically in the public square of ideas. Contributors are Alma Brodersen, S. Min Chun, Katharine Dell, Anselm C. Hagedorn, Christian Hofreiter, Andrew P. Langley, Aulikki Nahkola, James E. Patrick, Laura Quick, Benjamin Sargent, and Kris Sonek"--

A stirring, dramatic story of a slave who mails himself to freedom by a Jane Addams Peace Award-winning author and a Coretta Scott King Award-winning artist. Henry Brown doesn't know how old he is. Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.