THE “march on Rome” of October 28th, 1922, marked the advent to power of the Fascist Party in Italy under the leadership of Benito Mussolini. The seizure of the government through a coup d’état was justified by the claim that Italy had to be rescued from the imminent danger of a Bolshevist revolution. Before the eyes of a world horrified by the tragedy of Russia, Italian Fascism assumed the role of the knightly Saint George who had slain the red dragon of Communism. The legend appealed to the imaginations and soothed the fears of all the good people of Europe and America. It became the sacred myth around which was woven the early Fascist propaganda. In the present book the reader will find hard facts, not vague legal formulæ; concrete realities, not abstract doctrines. Its purpose is to provide the English-speaking public with accurate information not about the whole economic, social, and political system of the Fascist dictatorship, but about one single phase of it, i.e. those institutions through which Fascism claims to have solved the problem of the relations between capital and labour.

In lively language, Hans Karl Peterlini guides us through the recent history of South Tyrol. He illuminates the developments and key events, including the fighting in the First World War, the option and Italianisation of the country under the fascists, the political efforts for autonomy and the bomb attacks. Furthermore, Peterlini tells the stories of the people of South Tyrol, their economies, cultural creations and lifestyles, their misunderstandings, and achievements in reconciliation - right up to the present day.

The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production. Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's literary history, such as relationships between the regime and particular publishers, as well as individual cases involving renowned writers like Moravia, Da Verona, and Vittorini. Censorship and Literature in Fascist Italy charts the development of Fascist censorship laws and practices, including the creation of the Ministry of Popular Culture and the anti-Semitic crack-down of the late 1930s. Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.