"Emanuel Christ and Christoph Gantenbein together with their teaching staff and students at ETH Zurich expanded their research on building typology to four more metropolises, again in Europe, Latin America, and Asia. 180 buildings were analyzed over the past two years to find inspiration and models that can be adapted for the local context of any given city. Each example is documented with an image, site and floor plans, axonometric projection, key data, and a brief description. An introduction and four essays on the interaction between various protagonists and in particular the effect of governing local building regulation again show the potential for contemporary urban architecture. The result is again a rich sourcebook of great practical value for students, lecturers and practitioners of architecture." (Note de l'éditeur).

How do we group different subjects on a variety of variables? Should we use a classification procedure in which only the concepts are classified (typology), one in which only empirical entities are classified (taxonomy), or some combination of both? In this clearly written book, Bailey addresses these questions and shows how classification methods can be used to improve research. Beginning with an exploration of the advantages and disadvantages of classification procedures including those typologies that can be constructed without the use of a computer, the book covers such topics as clustering procedures (including agglomerative and divisive methods), the relationship among various classification techniques (including the relationship of monothetic, qualitative typologies to polythetic, quantitative taxonomies), a comparison of clustering methods and how these methods compare with related statistical techniques such as factor analysis, multidimensional scaling and systems analysis, and lists classification resources. This volume also discusses software packages for use in clustering techniques.

Influenced by issues of structuralism (rather than appropriation or fabrication), each of these nine artists has focused almost scientifically on recording a very specific genre or type. Among the photographers: Bernd and Hilla Becher, Ed Ruscha, Judy Fiskin. Photos are accompanied by three essays and a bibliography. Published to accompany an exhibition organized by the Newport Harbor Art Museum, which will travel nationally. Annotation copyrighted by Book News, Inc., Portland, OR

A clearly distilled architectural atlas based on 144 major designs from ancient times to the twenty-first century, showcasing the cultural dimension of building. However disparate the style or ethos, beneath architecture's pluralism lies a number of categorical typologies. In Thinking Design, Austrian architect Andreas Lechner has condensed his profound typological understanding into a single book. Divided into three chapters--Tectonics, Type, and Topos--Lechner's book reflects upon twelve fundamental typologies: theater, museum, library, state, office, recreation, religion, retail, factory, education, surveillance, and hospital. Encompassing a total of 144 carefully selected examples of classic designs and buildings, ranging across an epic sweep from antiquity to the present, the book not only explains the fundamentals of collective architectural knowledge but traces the interconnected reiterations that lie at the heart of architecture's transformative power. As such, Thinking Design outlines a new building theory rooted in the act of composition as an aesthetic determinant of architectural form. This emphasis on composition in the design process over the more commonplace aspects of function, purpose, or atmosphere makes it more than a mere planning manual. It reveals also the cultural dimension of architecture that gives it the ability to transcend not only use cycles but entire epochs. Each example is meticulously illustrated with a newly drawn elevation or axonometric projection, floor plan, and section, not only invigorating the underlying ideas but also making the book an ideal comparative compendium.

This book presents the major tool types of European Lower and Middle Paleolithic. Building on the typelist of the late Francois Bordes, with many forms that have been recognized since, it presents working definitions of the types with illustrations and discussions of the variability inherent to lithic typologies. The authors combine classic typological views with current notions of lithic typological variation. This handbook represents not only an important reference source for gaining a practical understanding of how Lower and Middle Paleolithic typology is applied but of the nature of lithic variability in other kinds of assemblages as well.

Organized by historical era and country of origin, each section of this dynamic compendium introduces the culture and aesthetics of the period, discusses how individual styles developed, and offers insights into the artistry of key typographers and foundries. 300 full-color illustrations.

Offers an introduction to linguistic typology that covers various linguistic domains from phonology and morphology over parts-of-speech, the NP and the VP, to simple and complex clauses, pragmatics and language change. This title also includes a discussion on methodological issues in typology.