The little-known author Jan van Naaldwijk, whose two early sixteenth-century Dutch chronicles of Holland are preserved in autograph manuscripts in the British Library, wrote at a moment reputed to be the turning point between medieval and Renaissance modes of historical writing. While he primarily relied on the medieval historical tradition of Holland, he expanded it in ways that allow us to appreciate the broader impact of innovations occurring at the same time in more 'professional' scholarly circles. This is the first in-depth study of these chronicles and their relation to their sources, placed in the wider context of history writing running from the mid-fourteenth century into the eighteenth, providing new insights into the continuities and transitions that characterized the historical tradition of Holland from the late middle ages well into the early modern period. An accompanying cd-rom contains transcriptions of both Jan's chronicles. Winner of the Society for Renaissance Studies Book Prize 2012 Short-listed for the Royal Historical Society Gladstone Prize 2012.

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

More than ten years ago, some mediaevalists of the K.U.Leuven and the University of Ghent joined together to create a repertory of medieval narrative sources focusing on the southern Low Countries. A pre-print was published in a paper version and was soon followed by the electronic database entitled Narrative Sources which is available through the Internet. Since 1996, Narrative Sources has been adapted, supplemented and rearranged every year and over the years the number of inventoried items has been increased to far more than 2150 titles. The information present thus far in Narrative Sources already allows and facilitates the study of the sources as such, individually or collectively, qualitatively or quantitatively.In a next step the goal would be the exploitation of the contents, with a specific focus on monastic historiography, its social setting, and self-image. In this book some of the scholars working on this project present their work, their methodology and their results to-date.

This book investigates the chronological and narrative structure at work in the Chronicle of Halych-Volhynia, in order to answer a broader question: was the Chronicle part of a curated historical collection to create a new historiographical entity in medieval Rus’?

This book consists of an annotated translation of a history of a Cistercian monastery known as the Henryków Book (1268-1310) and of some thirty charters further illustrating that history, as well as a sustained introductory essay.

The acclaimed biography of the eldest son of William the Conqueror, whose failure to secure the kingdom of England has overshadowed his role in capturing Jerusalem during the First Crusade. This detailed biography offers a reappraisal of the career of Robert Curthose, William the Conqueror's eldest son and duke of Normandy from 1087 to 1106, locating the duke's career in the social, cultural and political context ofthe period. Robert's relationship with members of his family shaped the political landscape of England and Normandy for much of the late eleventh and early twelfth centuries: indeed, even after his incarceration, from 1106 to 1134, his son William Clito (d. 1128) continued the fight against Robert's brother, Henry I. Twice driven into exile, Robert defeated his father in battle and eventually succeeded to the duchy of Normandy, although the throne of England was seized by William Rufus and then Henry I. For twenty years Robert successfully defended Normandy, developing policies to counter the vastly superior English resources at the disposal of his brothers. Robert's leading role in the success of the First Crusade [1095-99] also made him one of the most famous warriors of his age. He returned to Western Europe in 1100, a chivalric hero with a reputation that stretched from Scotland to Palestine. This bookreturns Robert Curthose to centre stage in the bloody drama of this period, a drama so often dominated by accounts from a royal and English perspective. Dr William M. Aird is Lecturer in History, School of History, Classics and Archaeology, University of Edinburgh.