This engaging and humanizing text traces the development of Europe since the mid-eighteenth century through the lives of people of the time. Capturing key moments, themes, and events in the continent's turbulent modern past, the book explores how ordinary Europeans both shaped their societies and were affected by larger historical processes. By focusing on the lives of individual actors, both famous and obscure, students can gain a sense for how the well-known revolutions, wars, and social transformations of the modern era were experienced in private homes, work places, political forums, and on battlefields throughout the region. Fittingly, the book opens with the French Revolution and concludes with the fall of the Berlin Wall and the collapse of Eastern European communism. Throughout, the contributors use compelling biographies to examine many of the major events and developments in European history, including the age of reaction and revolutions in the early nineteenth century; industrialization; Victorianism; new imperialism; fin de si cle culture; the first and second World Wars; the Russian Revolution; Italian fascism, Nazism, the Holocaust, and decolonization; Americanization; and the 1968 youth revolts. Contributions by: Karin Breuer, Helen Harden Chenut, John Cox, Stephen P. Frank, Cora Granata, Maura E. Hametz, Michael Kilburn, Cheryl A. Koos, Robert A. McLain, Karen Petrone, Paolo Scrivano, Alyssa Goldstein Sepinwall, Matthew G. Stanard, Michele M. Strong, and Patricia Tilburg

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.

This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.

“The Declaration of the Rights of Man and the Citizen of 1789” is the French Revolution’s best known utterance. By 1789, to be sure, England looked proudly back to the Magna Carta, the Petition of Right, and a bill of rights, and even the young American Declaration of Independence and the individual states’ various declarations and bills of rights preceded the French Declaration. But the French deputies of the National Assembly tried hard, in the words of one of their number, not to receive lessons from others but rather “to give them” to the rest of the world, to proclaim not the rights of Frenchmen, but those “for all times and nations.” The chapters in this book treat mainly the origins of the Declaration in the political thought and practice of the preceding three centuries that Tocqueville designated the “Old Regime.” Among the topics covered are privileged corporations; the events of the three months preceding the Declaration; blacks, Jews, and women; the Assembly’s debates on the Declaration; the influence of sixteenth-century notions of sovereignty and the separation of powers; the rights of the accused in legal practices and political trials from 1716 to 1789; the natural rights to freedom of religion; and the monarchy’s “feudal” exploitation of the royal domain.