Great Atlanta collection covers three centuries of American art. 77 colorplates.

This catalogue of the Georgia Museum of Art's permanent collection is both a tribute to Alfred Heber Holbrook, the museum's founder, and a record of his legacy, which began in 1945 when he gave one hundred works of American art to the people of Georgia through its flagship university. These works formed the foundation of the museum's current collection of more than 8,000 art objects. Published to coincide with the museum's grand reopening in January 2011 after a 30,000-square-foot expansion, this catalogue features one hundred significant American paintings that, for the first time, will be on continual display in the building's new permanent-collection galleries. This publication is supported in part by a grant from the National Endowment for the Arts.

This important publication is the first from the Yale University Art Gallery dedicated to Indigenous North American art. Accompanying a student-curated exhibition, it marks a milestone in the collection, display, and interpretation of Native American art at Yale and seeks to expand the dialogue surrounding the University’s relationship with Indigenous peoples and their arts. The catalogue features an introduction by the curators that surveys the history of Indigenous art on campus and outlines the methodology used while researching and mounting the exhibition; a discussion of Yale’s Native American Cultural Center; and a preface by the Medicine Woman and Tribal Historian of the Mohegan Nation. Also included are images of nearly 100 works—basketry, beadwork, drawings, photography, pottery, textiles, and wood carving, from the early 1800s to the present day—drawn from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Beinecke Rare Book and Manuscript Library. The objects are grouped into four sections, each introduced with a short essay, that center on the themes in the book’s title. Together, these texts and artworks seek to amplify Indigenous voices and experiences, charting a course for future collaborations.

Utility and Beauty examines the art and craft of composition ornament through the life and work of Robert Wellford (1775-1844) of Philadelphia, the foremost maker of compo in America."