At a charity ball, BRUCE WAYNE notices a strange coincidence Ñ all of the waiters are twins. Then suddenly, the terrible TWO-FACE crashes the festivities! He has partnered with another super-villain to rob every bank in GOTHAM, but first this crazy criminal wants to take down the city’s top moneymaker. Before BRUCE can change into his secret identity, BATMAN, TWO-FACE captures the billionaire and leads him toward the factory that birthed his criminal alter ego. Without help from his own partners, the DARK KNIGHT could be in double trouble.

A rich, absorbing novel that explores the drive for creativity and the dynamics of family. Peas in a pod. Cherries on a stem. A pair, a set, a perfect match, people seemed to so quickly think . . . as if twins were a tribe of two with a secret understanding, existing in a self-contained, mysterious world . . .' Growing up, the Marshall twins seemed to be ideal siblings. Yet when you're so akin to someone else, who are you, really? Candy discovers a gift for music, yet in nearly every aspect of her life, Jeff is there - pre-empting, mirroring. To work out who she genuinely is, Candy begins to believe she must separate from her brother for good. But at what cost? Taking us into the world of grotty student flats, firey politicos, eating disorders, and the convolutions of sexuality and first love, this is a beautifully written novel.

In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay

AIDS and Africa are indelibly linked in popular consciousness, but despite widespread awareness of the epidemic, much of the story remains hidden beneath a superficial focus on condoms, sex workers, and antiretrovirals. Africa gets lost in this equation, Daniel Jordan Smith argues, transformed into a mere vehicle to explain AIDS, and in AIDS Doesn’t Show Its Face, he offers a powerful reversal, using AIDS as a lens through which to view Africa. Drawing on twenty years of fieldwork in Nigeria, Smith tells a story of dramatic social changes, ones implicated in the same inequalities that also factor into local perceptions about AIDS—inequalities of gender, generation, and social class. Nigerians, he shows, view both social inequality and the presence of AIDS in moral terms, as kinds of ethical failure. Mixing ethnographies that describe everyday life with pointed analyses of public health interventions, he demonstrates just how powerful these paired anxieties—medical and social—are, and how the world might better alleviate them through a more sensitive understanding of their relationship.

Discover the versatility of sewing projects with looks that can be transformed in an instant! Double your wardrobe & double your decor without doubling your sewing time! A collection of reversable sewing projects for 2 projects in one!

Collections of oddities have abounded since ancient times. Philosphers, essayists, travelers and natural historians have all contributed to this offbeat - yet rich - source of literature.

George and Arthur are identical twins, both are in college and living in late 1930s America. They come from a rich upper class Baltimore family. Their father had been taking the family on summer vacations to Miami Beach. Finding Miami Beach to be too crowded, the father changes directions and takes the family to a remote and less known vacation resort in South Carolina. There the boys meet and fall head over rich privileged heels in love with a beautiful local girl who works as a cleaning girl who cleans the rental vacation cottages. When they return the next year they start up a full blown love and sexual affair with the girl, Melissa. The girl falls in love with them; both of them. Both brothers want to marry the girl. The situation lead to quite a rivalry between the two brothers which could lead to a serious break between them in the family. The problem is that Melissa said she wants to marry BOTH men. She says that she loves them both equally and cannot choose between them. In the end she refuses to choose between them saying that if they will not agree to a three-way marriage she will live with them both in a menage-a-twa arrangement anywhere. While that could be worked out in backwoods mountain country, it would be totally unacceptable in straight laced conservative Baltimore Brahmin society. The boys do not want to leave their family home and situation. By a series of events that include a savage barroom between the brothers and locals over the girl, a fight in which one of the brothers seriously mutilates a knife welding redneck thug, facing possible serious danger from angry locals who falsely blame the girl for provoking the fight, the girl comes home with the boys to live with them as a cleaning girl in the family home in Baltimore, much to the chagrin of the boys straight laced mother. At home behind closed doors, the boys carry on in secret the affair they started in Carolina. At their sister's wedding reception both of the brothers propose to the girl with the one she does not choose agreeing to drop out of the picture. Sill as much of a stubborn hillbilly girl as she was when they first met her, Melissa again refuses to choose between them. The issue unresolved as ever, the affair otherwise continues in secret at the family house. The years roll on, Melissa marries out of necessity, but which one did she choose? Find out how this convoluted love affair ends.