In the first book of an all-new series, a young lawyer races to save his client from execution, putting him at odds with his own father: Thomas Pitt, head of London’s Special Police Branch. “[Anne] Perry’s excellent new series launch expertly takes the Pitts into a new century.”—Library Journal (starred review) 1910: Twenty-five-year-old Daniel Pitt is a junior barrister in London and eager to prove himself, independent of his renowned parents’ influence. And the new case before him will be the test. When his client, arrogant biographer Russell Graves, is found guilty of murdering his wife, Daniel is dispatched to find the real killer before Graves faces the hangman’s noose—in only twenty-one days. Could Mrs. Graves’s violent death have anything to do with her husband’s profession? Someone in power may be framing the biographer to keep damaging secrets from coming to light. It is a theory that leads Daniel’s investigation unexpectedly to London’s Special Branch—and, disturbingly, to one of his father’s closest colleagues. Caught between duty to the law and a fierce desire to protect his family, Daniel must call on his keen intellect—and trust his natural instincts—to find the truth in a tangle of dark deception, lest an innocent man hang for another’s heinous crime. Praise for Twenty-One Days “Readers will quickly fall in love with [Daniel] Pitt, following along as he investigates a gruesome murder and chuckling as he throws those involved off kilter. Perry is a master at bringing setting to life, and readers will be taken in by the time and place as they get to know Daniel Pitt and those close to him in this engaging novel.”—RT Book Reviews “The maven of well-crafted Victorian mysteries and author of both the William Monk series and the Charlotte and Thomas Pitt mysteries introduces the Pitts’ son, Daniel, junior barrister, in this first of what proves to be an intriguing, entertaining, and character-centric new series. . . . Perry introduces Daniel and his cohort, the brilliant Miriam Fforde Croft, and raises the knotty question of whether some clients are truly undefendable.”—Booklist “[Anne Perry] seems just as comfortable in 1910 as she ever did back in Victoria’s day.”—Kirkus Reviews

"Audin plays with codes, numbers and dates to create a fascinating and unsettling story."—Le Temps This debut novel by mathematician and Oulipo member Michèle Audin retraces the lives of French mathematicians over several generations through World Wars I and II. The narrative oscillates stylistically from chapter to chapter—at times a novel, fable, historical research, or a diary—locking and unlocking codes, culminating in a captivating, original reading experience. Michèle Audin is the author of several works of mathematical theory and history and also published a work on her anticolonialist father's torture, disappearance, and execution by the French during the Battle of Algiers.

An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

On July 28, 1851, Nathaniel Hawthorne's wife Sophia and daughters Una and Rose left their house in Western Massachusetts to visit relatives near Boston. Hawthorne and his five-year-old son Julian stayed behind. How father and son got along over the next three weeks is the subject of this tender and funny extract from Hawthorne's notebooks. "At about six o'clock I looked over the edge of my bed and saw that Julian was awake, peeping sideways at me." Each day starts early and is mostly given over to swimming and skipping stones, berry-picking and subduing armies of thistles. There are lots of questions ("It really does seem as if he has baited me with more questions, references, and observations, than mortal father ought to be expected to endure"), a visit to a Shaker community, domestic crises concerning a pet rabbit, and some poignant moments of loneliness ("I went to bed at about nine and longed for Phoebe"). And one evening Mr. Herman Melville comes by to enjoy a late-night discussion of eternity over cigars. With an introduction by Paul Auster that paints a beautifully observed, intimate picture of the Hawthornes at home, this little-known, true-life story by a great American writer emerges from obscurity to shine a delightful light upon family life—then and now.

In this classic bestselling screenwriting guide—now revised and updated—author and film consultant Viki King helps screenwriters go from blank page to completed manuscript through a series of clever and simple questions, ingenious writing exercises, and easy, effective new skills. Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in your heart onto the page. This method doesn’t just show how to craft a classic three-act story but also delves into how to clarify the idea you don't quite have yet, how to tell if your idea is really a movie, and how to stop getting ready and start. Once you know what to write, the Inner Movie Method will show you how to write it. This ultimate scriptwriting survival guide also addresses common issues such as: how to pay the rent while paying your dues, what to say to your partner when you can't come to bed, and how to keep going when you think you can't. How to Write a Movie in 21 Days, first published in 1987, has been translated in many languages around the world and has become an industry-standard guide for filmmakers both in Hollywood and internationally. For accomplished screenwriters honing their craft, as well as those who have never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.

One Hundred and Twenty-Six Days throws you onto the path of one family's unthinkable journey as their 27-year-old is violently hurled onto the cancer battlefield. What is to come was nothing anyone could ever imagine.

​“Truly thrilling. Daniel Levin brilliantly conveys both the menace and the evil of Middle Eastern intrigue, and some victories of human kindness over cruelty and despair.” —Daniel Kahneman, New York Times bestselling author of Thinking, Fast and Slow “In laying bare the raw human toll of the ferocious and cruel Syrian conflict, Proof of Life asks the reader to make a choice between cynicism and compassion.” —Ayaan Hirsi Ali, New York Times bestselling author of Infidel Daniel Levin was at his office when he got a call from an acquaintance with an urgent, cryptic request to meet in Paris. A young man had gone missing in Syria. No government, embassy, or intelligence agency would help. Could he? Would he? So begins a suspenseful, shocking, and at times brutal true story of one man’s search to find a missing person in Syria over twenty tense days. Levin, a lawyer turned armed-conflict negotiator, uses his extensive contacts to chase leads throughout the Middle East, meeting with powerful sheikhs, drug lords, and sex traffickers in his pursuit of the truth. He also discovers remarkable people who retain their essential goodness and spirit in the face of adversity. In Proof of Life, Levin dives deep into a shadowy world where few have access—an underground industry of war where everything is for sale, including arms, drugs, and even people. He offers a fascinating study of how people use leverage to get what they want from one another and where no one does a favor without wanting something in return, whether it’s immediately or years down the road. Proof of Life is a fast-paced thriller wrapped in a memoir, a must-read for anyone interested in power dynamics, international affairs, the Middle East, or our growing number of forever wars.