Learn why this story of betrayal, love and lies was a GalleyCat Mystery & Thriller Bestseller. Should we dig for the truth when Pandora's Box is a coffin of buried secrets? For twenty-five years, Diana Ferguson's killer has gotten away with murder. When rookie obit writer and newsroom editorial assistant Kris Langley investigates the unsolved mystery of a young artist obsessed with Greek mythology, not only does she fall in love with Diana's sexy nephew, but she must also fight to stay off the obituary page herself. Get in on the secret - join thousands of readers in discovering who killed Diana Ferguson in this bestselling New England mystery that blends family drama, art, romance, and mythology into one suspenseful tale. Reviews: "This has to be one of my favorite mystery books that I've read this year...Book club groups will enjoy this book because there is so much that happens between its pages." Book-Club-Queen "Ms. Juba takes control and leads her readers the direction she wants them to move in and you won't be able to figure out the ending until she is ready for you to. All in all, this is a wonderful book." Lynn Cunningham, Fresh Fiction "A satisfying mystery with a layered plot. The characters are believable and memorable." Veronica Marie Beaumont, The Romance Reviews "There are enough twists, and possible suspects, in this story to make it entertaining and keep readers turning the pages all the way to its very satisfying end." The Romance Studio Subjects: unsolved mystery, Greek mythology romance, art mystery romance, New England mysteries, family drama novels, betrayal love and lies, art mystery novels, bestselling mystery novels, women sleuth, newspaper mystery novels

This volume is the product of a conference on the theme 'Development - the Next Twenty-five Years' which the Institute of Social Studies held in Decem ber 1977 to mark its own twenty-fifth anniversaryas a centre of development studies. We felt it appropriate at that point in time to caU together specialists from all over the world in an attempt to assess the 'state of play' in our field as we move into the last quarter of the twentieth century. 1 For several days, therefore, the Institute's new building house d a remarkable concentration of knowledge and experience concerning the problems of the so-calle d less developed countries, drawn from all over the world. Although it was inevitable that the participants should represent the past (and it was several times re marked that, in that sense, there were too few women present), the earnest and sometimes heated discussions looked to the future as much as to what had happened in the last twenty-five years. As the discussions proceeded, three things became apparent. Firstly , although the papers submitted did not fully reveal it, the ongoing debate between radicals and moderates, those who saw possibilities of change only basically through a direct break with existing structures and those who felt change possibIe within them, is by no means at an end.