The book offers the clearest definition yet of the history play, its scope and its limits. Historical drama is an extremely popular genre among 20th-century English playwrights. Yet the sheer size and complexity of the subject has, until now, prevented critics from attempting a clear definition. Dr. Harben provides a new and original perspective, taking into account modern ideas of and attitudes to history. The author examines the varying approaches to history taken by modern historians and playwrights, and provides a detailed analysis of the historical source material of selected plays. The study is supported with a wealth of vivid and provocative illustrations. Historical and dramatic criticism is related to theatrical interpretation and experience. This book therefore should prove valuable and interesting to the reader with a specialist interest in the field as well as to the more general reader.

If great drama flourishes in a changing world, the twentieth century may prove itself the most dramatically fruitful ever. The briefest historical outline shows a time of extraordinary upheaval, and twentieth-century drama's greatest achievement was that it managed to reflect those changes with courage, vision, and artistry. In A Pocket Guide to 20th Century Drama, Stephen Unwin and Carole Woddis examine fifty seminal works from the past one hundred years, and in the process chart some of the most profound events of that era -- from Anton Chekhov's illustration of the fin-de-siecle clash in cultural value systems in The Cherry Orchard to World War II's legacy of moral despair as voiced in Samuel Beckett's Waiting for Godot to Tony Kushner's stark and moving exploration of the ravages of AIDS in Angels in America. For each play, a precis is provided, along with a brief essay on its historical and literary context and a rundown of pertinent productions. In addition, the authors provide both an overview of the past century in history and drama, and a chronicle of one thousand of the century's notable plays, providing an understanding of what other works were being written at the time.

Critical introductions to a range of literary topics and genres. Looking back on 20th century British drama from its' historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.

Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated.

Publisher Description

Publisher Description

An authoritative, spirited account of the history of twentieth century theatre by two of its most distinguished practitioners.