Dennis Orphen, in writing a novel, has stolen the life story of his friend, Effie Callingham, the former wife of a famous, Hemingway-like novelist, Andrew Callingham. Orphen’s betrayal is not the only one, nor the worst one, in this hilarious satire of the New York literary scene. (Powell personally considered this to be her best New York novel.) Powell takes revenge here on all publishers, and her baffoonish MacTweed is a comic invention worthy of Dickens. And as always in Powell’s New York novels, the city itself becomes a central character: “On the glittering black pavement legs hurried by with umbrella tops, taxis skidded along the curb, their wheels swishing through the puddles, raindrops bounced like dice in the gutter.” Powell’s famous wit was never sharper than here, but Turn, Magic Wheel is also one of the most poignant and heart-wrenching of her novels.

This scathing “comedy of manners” set in the 1940s “steers us through the lives of women who come to New York . . . for love, money, opportunity, and a good time” (New York Times). At the center of this 1942 novel are a wealthy, self-involved newspaper publisher and his scheming, novelist wife, Amanda Keeler—who ensnares Ohioan Vicky Haven in her social and romantic manipulations. Author Dawn Powell always denied Amanda Keeler was based upon the real-life Clare Boothe Luce until years later when she discovered a memo she’d written to herself in 1939 that said, “Why not do a novel on Clare Luce?” Which prompted Powell to write in her diary, “Who can I believe? Me or myself?” Set against an atmospheric backdrop of New York City in the months just before America’ s entry into World War II, A Time of Be Born is a scathing and hilarious study of cynical New Yorkers stalking each other for various selfish ends.

It is sometime after the turn of the century in Lamptown, Ohio, a working-class town filled with factory girls. Every Thursday night at the Casino Dance Hall above Bauer's Chop House and across the street from Elsinore Abbott's Bon Ton Hat Shop and Bill Delaney's Saloon and Billiard Parlor, women and a few men gather to escape their pedestrian lives in fantasy, and sometimes to live out these fantasies. Observing all are the novel's two young protagonists, Morry, who dreams of becoming an architect and developer, and Jen, an unsentimental orphan of fourteen who, abandoned by her mother, dreams of escape.

2021 Living Now Book Awards - Silver medalist, Male Memoir category A compelling, award-winning account of marathon runner Kay Bretz's transformation into one of the best ultra-runners in the world, for fans of David Goggins' Can't Hurt Me. Ultra-runner Kay Bretz beat the race record of Australia's Big Red Run by more than five hours and was awarded the Australian Ultra Performance of the Year Award at the 24-hour world championships in France – but it took a significant change in mindset to do it. In Turning Right, the elite athlete and executive coach shares his fascinating personal journey to success, interweaving his amazing running journey with how he overcame physical, mental and professional challenges to achieve his goals and break records, all by 'turning right' when his perspective on what he was capable of started to shift. Bretz explains how he left behind self-imposed limitations that prevented him from reaching his dreams, often rejecting what was reasonable and logical, and found the magic instead. Brilliantly interweaving his amazing running journey with the challenges in his professional and personal life, Bretz leaves behind the reasonable and logical to find the magic. His book will inspire the magic in you too.

Everyone in Dawn Powell's New York satire Angels on Toast is on the make: Lou Donovan, the entrepeneur who ricochets frantically between his well-connected current wife, his disreputable ex, and his dangerously greedy mistress; Trina Kameray, the exotic adventuress whose job title is as phony as her accent; T.V. Truesdale, the man with the aristocratic manner, the fourteen-dollar suit, and the hyperactive eye for the main chance. A dizzyingly fast-paced and deliriously entertaining novel.

My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. This was the month of cherries and peaches, of green apples beyond the grape arbor, of little dandelion ghosts in the grass, of sour grass and four-leaf clovers, of still dry heat holding the smell of nasturtiums and dying lilacs. This was the best month of all and the best day. It was not birthday, Easter, Christmas, or picnic, but all these things and something else, something wonderful, something utterly unknown. The two little girls in embroidered white Sunday dresses knew no way to express their secret joy but by whirling each other dizzily over the lawn crying, “We’re moving, we’re moving! We’re moving to London Junction!” My Home Is Far Away is one of the very few examples of a book written for adults, with an adult command of the language, that maintains the vantage point of a hungry, serious child throughout. It might be likened to a memoir that has been penned not with the usual tranquility of distance but rather with the sense that everything happening to the characters is happening right now, without any promise of eventual escape, without any assurance that childhood, too, shall pass away. My Home is Far Away had been out of print for sixty years when Steerforth reissued it in 1995. It received immediate widespread acclaim, and was featured on the cover of the New York Times Book Review, where Terry Teachout called it “one of the permanent masterpieces of childhood, comparable with David Copperfield, What Maisie Knew and the early reminiscences of Colette,” and where he proclaimed Powell to be “one of this country’s least recognized great novelists.”

The Celtic seasonal wheel is based on eight festivals – Winter Solstice, Imbolc, Spring Equinox, Beltane, Summer Solstice, Lughnasadh, Autumn Equinox and Samhain. Together, these lead usthrough the cycle of the year, aligning our awareness with the seasonal pattern of the earth beneath our feet.In this book on the solstices, equinoxes and other festivals within the sacred cycle, Danu Forest reveals the secrets of each festival in turn and skilfully revives ancient traditions, encouraging us to reconnect with nature, and ourselves, with a host of practical ideas and rituals. Decorate your home with beautiful seasonal crafts and altars to manifest sacred space. Make gifts to give to friends, cast spells for creativity, fertility and blessing, and use the abundance of nature in recipes that can be enjoyed as part of your seasonal celebrations or for self-healing and empowerment. Meditate on the changing heavens throughout the year with Celtic star lore. Deepen your experience of the turning seasons, from the rest and renewal of winter through the revels of spring and summer to the soul or spirit nights of autumn with magical guided visualizations. This cycle of conscious celebration helps us, year on year, to align with nature’s rhythms with greater wonder and insight. Based on sound extensive research, as well as many years of practical experience through both personal practice and teaching, the book will act as a guide for weaving a new, more soulful way of living into readers’ everyday existence.