The story of misunderstood immigrants and their struggle to gain recognition and acceptance in the rural South Despite its reputation as a melting pot of ethnicities and races, the United States has a well-documented history of immigrants who have struggled through isolation, segregation, discrimination, oppression, and assimilation. South Carolina is home to one such group—known historically and derisively as "the Turks"—which can trace its oral history back to Joseph Benenhaley, an Ottoman refugee from Old World conflict. According to its traditional narrative, Benenhaley served with Gen. Thomas Sumter in the Revolutionary War. His dark-hued descendants lived insular lives in rural Sumter County for the next two centuries, and only in recent decades have they enjoyed the full blessings of the American experience. Early scholars ignored the Turkish tale and labeled these people "tri-racial isolates" and later writers disparaged them as "so-called Turks." But members of the group persisted in claiming Turkish descent and living reclusively for generations. Now, in South Carolina's Turkish People, Terri Ann Ognibene and Glen Browder confirm the group's traditional narrative through exhaustive original research and oral interviews. In search of definitive documentation, Browder combed through a long list of primary sources, including historical reports, public records, and private papers. He also devised new evidence, such as a reconstruction of Turkish lineage of the 1800s through genealogical analysis and genetic testing. Ognibene, a descendant of the state's Turkish population, conducted personal interviews with her relatives who had been in the community since the 1900s. They talked at length and passionately about their cultural identity, their struggle for equal rights, and the mixed benefits of assimilation. Ognibene's and Browder's findings are clear. South Carolina's Turkish people finally know and can celebrate their heritage.

An accessible, carry-along handbook to Turkish history and culture, both ancient and modern, written by a Turkish tour guide and teacher. Abundant color photographs. Contact the publisher via email at [email protected]. Annotation copyrighted by Book News, Inc., Portland, OR

Introduction : Good west, bad west, wild west -- Over-westernization -- Narrating the mandate : selective westernization and official history -- Allegorizing America : over-westernization in the Turkish novel -- Under-westernization -- Humoring English : wild westernization and bilingual folklore -- Figuring sexualities : inadequate westernization and rights activism -- Postscript : refiguring culture in U.S.-Middle East relations

Drawing on a diverse array of published and archival sources, Nicholas L. Danforth synthesizes the political, cultural, diplomatic and intellectual history of mid-century Turkey to explore how Turkey first became a democracy and Western ally in the 1950s and why this is changing today.

Between 1961 and 1971 James Baldwin spent extended periods of time in Turkey, where he worked on some of his most important books. In this first in-depth exploration of Baldwin’s “Turkish decade,” Magdalena J. Zaborowska reveals the significant role that Turkish locales, cultures, and friends played in Baldwin’s life and thought. Turkey was a nurturing space for the author, who by 1961 had spent nearly ten years in France and Western Europe and failed to reestablish permanent residency in the United States. Zaborowska demonstrates how Baldwin’s Turkish sojourns enabled him to re-imagine himself as a black queer writer and to revise his views of American identity and U.S. race relations as the 1960s drew to a close. Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.

This groundbreaking series of essays offers new insights into Turkish cultures both past and present. Moving beyond the traditional binaries of east/west, Islam/secularism, and Europe/Asia, the book contains a variety of perspectives on contemporary Turkey, from actors, directors, critics and other major cultural figures. The book tries to situate these opinions in context by looking at how such perspectives are employed in different cultural spheres—education, theatre, politics and the like. Exploring Turkish Cultures contains the first major interviews published in English with prominent public figures, including actors Türkân Şoray, Genco Erkal and Nesrin Kazankaya. Other figures interviewed include film directors Derviş Zaim and documentary filmmakers Ben Hopkins, Pelin Esmer and Özgür Doğan. An extended interview with the author, translator and academic Talât Halman rounds off the interview section. Complementing these interviews are a series of essays on major Turkish films and theatrical productions, both past and present. Combining historical analysis, comment and evaluation from an author who has spent two decades living in Turkey, Exploring Turkish Cultures represents a major contribution to contemporary Turkish studies.