Now renowned for its rich tradition of Thoroughbred breeding and racing, Kentucky was not always the center of the hourse industry. During and after the Civil War, Kentucky was seens as a border state with a shifting identity, scorned for its violence and lawlessness. --publisher.

NATIONAL BESTSELLER • “A vivid portrait of America’s greatest stallion, the larger-than-life men who raced and bred him, and the dramatic times in which they lived.”—Geraldine Brooks, author of Horse The powerful true story of the champion Thoroughbred racehorse who gained international fame in the tumultuous Civil War–era South, and became the most successful sire in American racing history The early days of American horse racing were grueling. Four-mile races, run two or three times in succession, were the norm, rewarding horses who brandished the ideal combination of stamina and speed. The stallion Lexington, named after the city in Kentucky where he was born, possessed these winning qualities, which pioneering Americans prized. Lexington shattered the world speed record for a four-mile race, showing a war-torn nation that the extraordinary was possible even in those perilous times. He would continue his winning career until deteriorating eyesight forced his retirement in 1855. But once his groundbreaking achievements as a racehorse ended, his role as a sire began. Horses from his bloodline won more money than the offspring of any other Thoroughbred—an annual success that led Lexington to be named America’s leading sire an unprecedented sixteen times. Yet with the Civil War raging, Lexington’s years at a Kentucky stud farm were far from idyllic. Confederate soldiers ran amok, looting freely and kidnapping horses from the top stables. They soon focused on the prized Lexington and his valuable progeny. Kim Wickens, a lawyer and dressage rider, became fascinated by this legendary horse when she learned that twelve of Thoroughbred racing's thirteen Triple Crown winners descended from Lexington. Wickens spent years meticulously researching the horse and his legacy—and with Lexington, she presents an absorbing, exciting account that transports readers back to the raucous beginning of American horse racing and introduces them to the stallion at its heart.

The rise and fall of one of America’s first Black sports celebrities Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. They were internationally famous, the first African American superstar athletes—and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy’s troubled life, his death in 1896 at age thirty-five, and his afterlife. In recounting Murphy’s personal story, she also tells two of the great stories of change in nineteenth-century America: the debates over what a multiracial democracy might look like and the battles over who was to hold power in an economy that increasingly resembled the corporate, wealth-polarized world we know today.

Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The American rowing almanac and oarsman's pocket companion, 1874

The three artists whose lives are the subjects of Three Kentucky Artists—Joel Tanner Hart, Samuel Woodson Price, and Edward Troye—enjoyed considerable fame in their own day, though they are now little known outside of Kentucky. Each made a lasting contribution to the social and cultural life of central Kentucky in the nineteenth century. J. Winston Coleman, Jr. sketches the careers and relationships of the artists who played significant roles in the history of the Commonwealth.