“Tulip Universe” is photographer Marques Vickers visual survey of the cup shaped flower often popularly misunderstood and underestimated for its beauty. His pictorial edition features over 110 images of this exotic flower capturing the diversity of colors and complexity of design. From the Preface by Linda L. Allen: Tulips are generally perceived as a simple, sweet flower. In truth, there are over 3,000 varieties that include every color other than blue and have a history as fascinating as the most glorious rose or exotic orchid. The tulip is commonly thought to have originated in the Netherlands – in particular Holland. Cultivation actually began in Central Asia over a thousand years ago and was later brought East by the Turks. In the mid 1600’s they were introduced to Europe. In an unusual twist the Dutch obsession was fueled, in part, by a virus that caused broken tulips. The disease, identified by the botanist Carolus Clusius, caused gorgeous striations within flower’s color. Tulip Mania was rampant and the price of bulbs soared. At its height, some bulbs sold for 10 times an average workingman’s yearly salary and cost more than most homes. Speculation on future crops earned tulips the dubious distinction of having caused the first investment bubble. Although opinions differ and there is no recorded history, it is generally accepted that the resulting market crash had a catastrophic effect on the country’s economy. The spring-blooming tulips are members of the Liliaceae family, which includes asparagus, aloe, garlic, onions, and wide diversity of flowers. Their height varies from less than 8 inches to 2 feet and may bloom from 1 to 3 weeks although their bloom time is usually limited to 1 – 7 days. Commonly there is one flower per stem but some varieties have up to 4. There may be from 2 – 12 leaves. While many have no scent, some are known for their beautiful scent. Most varieties of tulips are almost perfectly symmetrical. It appears that the flower possesses 6 petals. Actually, they have 3 petals and 3 sepals. Since the sepals and petals are almost the same size and shape, the common misconception was developed. As mentioned, tulips come in every color but blue. The most common are yellow, orange, violet, pink and red with the last being the most popular. Today, some varieties combine a variety of colors and rival the showiest tropical flower. Rather than a virus they are the result of extensive breeding programs.

Discover the secrets of alien spices, cosmic marinades, and meteoric desserts. Whether you're a seasoned chef or a budding cook, Galactic Delights offers something for everyone. Unleash your creativity and experiment with dishes that are truly out of this world. Dive deep into the captivating world of peaceful and warring gods as we unravel the mysteries of their celestial realms. In this enlightening journey, we'll delve into the duality of ancient deities, exploring their benevolent nature and their fierce battles for power.

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination.

“Death of a Post Office: The Bruised Legacy of Architect William H. Corlett” details the abrupt 2014 closure and aftermath of the Franklin Street Post Office in Napa, California. The Art Deco style building, constructed in 1933 sustained significant structural damage during the August 23rd Napa earthquake closing the facility to public access and mail sorting operations. Author Marques Vickers began photographing the exterior damage on the morning of the quake and continued in intervals until January 2017. Over 70+ images display the building’s exterior wounds. Vickers’ narrative follows the history and complexity of restoring local architect’s William H. Corlett’s design, originally financed by Franklin Roosevelt’s Works Progress Administration. The brick edifice features exterior terra cotta friezes of shields, ram heads, eagles, and decorative cornices. Sizable bronze urn lanterns front the entrance and exit doors. The interior showcases an elaborate lobby featuring detailed woodwork, ceilings and lower walled marble paneling. In 1985, the building was added to the National Register of Historical Places. The repair cost evaluation in July 2015, prompted the US Postal Service to announce their intention to demolish the building. A subsequent concerted public outcry resulted in the authority modifying their decision and offering the building for sale. The stipulation that the structure be restored to its original architectural integrity has become problematic. Napa is destined to lose their main post office but potentially gain a commercial development. The book photographs another Corlett designed building, the Alexandria Hotel that sustained significant damage during the quake. Privately owned, restoration work began immediately and was completed in 2016. An additional 30+ photos document the stages of repair and five additional Corlett structures in Napa. Despite the severity of the structural destruction, Corlett’s legacy remains intact.

Michael McCaffrey continues to wrestle with his own alienation and detachment from the teaching profession, direction of his life and personal relationships. He is compelled to deal with unexpected loss and abandonment on multiple levels. Throughout his ordeals, he maintains his sense of humor and perspective. His setbacks, distractions and inertia make forward progress challenging. He observes the similar difficulty and indecisiveness experienced by two of his former university classmates. His intentioned departure from teaching following his ninth year does not materialize. His ambition towards cultivating a stable relationship evaporates for reasons initially uncertain to him. He has difficulty coming to terms with his fragmented life that only periodically offers glimpses of hope and clarity. An encounter with a former high school girlfriend prompts him to consider what might have happened had he never left his hometown. Another classmate, a self-professed business success, lectures one of classes and illustrates the contrast between McCaffrey’s present stagnation and a vocational path he abandoned early in his career. As his narrative enters into his thirteenth year of teaching, his observations and caustic opinions become more pronounced and unwelcome. He’s aware of the estrangement with his current faculty peers. As his closet confidants leave, he realizes St. Elizabeth-St. Ignacious High School has changed irrevocably. He is not an integral part of the shift and has become professionally expendable. During his tenth teaching year, a new Principal, Brother Morton Brickell replaces the departed Brother (Mumbles) Moody. McCaffrey compares Moody to a flute and Brickell to a brass trumpet, often loudly overstating the obvious. Brickell’s own tenure and influence becomes abbreviated due to a change in school management. During the summer following his eleventh year, the financial allure of shifting back to corporate employment coupled by a seemingly healthy relationship nearly changes his fate. Despite the promising prospects, McCaffrey is destined to continue teaching and remaining alone. Brickell’s replacement, Sister (Stoneface) Stanley clashes with McCaffrey her initial year following scrutiny of his teaching and religious commitment. The frigidity of their interactions prompts him to question how long she will tolerate his continued employment. McCaffrey continues his satirical exchanges and pranks with faculty foils and adds additional victims. He charts the meteoric influential rise of the maintenance duo of Sid and Barney that culminates in a faculty Christmas party implosion. He assists a faculty peer in formatting teaching credential assignments that concludes with him doubting the substantive value of academic professional training. McCaffrey documents his lively and playful interactions with his students. Tense moments intervene. He is confronted by a failing student that nearly erupts into a physical altercation. He must also calm the religious proselytizing from one of his zealous students seeking to convert him. He attempts to keep his lectures varied and relevant despite his flagging enthusiasm. One of his classroom discussions addresses the increasingly escalating violence in his hometown when one of his students nearly becomes a casualty from a drive-by shooting. A former favorite student returns on campus basking in an acclaim that eluded him while attending SESI. Another returns as a polished and attractive woman completing a teaching internship and introduces complications into McCaffrey’s relationship void and loneliness. McCaffrey’s forebodings about Sister Stanley’s motives reach fruition during contract negotiations following his thirteenth teaching year. Will McCaffrey survive a decisive effort to get rid of him? If he is destined to leave, who will ultimately determine the terms of his departure?