Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Cho Zhi (192-323) was the son of Cao Cao (155-220), the famous -- sometimes thought infamous -- adventurer, general and politician at the end of the Later Han dynasty (25-220). Cao Zhi was a younger son but had such great talent that there was at one time a prospect that he might become his father's heir. If that had happened he could have been a king. However, his elder brother, Cao Pi (187-226), became the heir and the two brothers' rivalry over this question had a major effect on Cao Zhi's life.Their rivalry was probably aggravated by Cao Pi's jealousy of Cao Zhi's brilliance and greater poetic gifts, and possibly over a woman who, according to some stories, inspired one of Cao Zhi's greatest poems. After Cao Cao's death, China became formally divided into the Three Kingdoms which gave their name to that period of Chinese history. Many of the traditional stories in early Chinese novels and plays derived from that period. But, in all the stirring doings at the time -- the "Robin Hood" age of China -- Cao Zhi played little part. With all his gifts, his faults of character and the distrust of his brother, by now King of Wei, frustrated his chance of giving real service to the state. Many of his poems reflect that frustration.Cao Zhi is, however, a far from unimportant figure in Chinese literary history. He lived at a time of division, of change and of constant warfare and popular distress. Buddhism was spreading fast and new poetical forms were coming into use. Cao Zhi is one of the first figures in Chinese history to be remembered as a poet alone, and not as an emperor, statesman or general who also wrote poetry. He also wrote essays which contained some of the earliest literary criticism of writers of his age. He was also renowned as a calligrapher -- and as a bon viveur. His life was in large part a tragedy of wasted gifts -- but he does not lack touches of comedy.

When Western missionaries introduced modern chemistry to China in the 1860s, they called this discipline hua-hsueh, literally, 'the study of change'. In this first full-length work on science in modern China, James Reardon-Anderson describes the introduction and development of chemistry in China in the late nineteenth and early twentieth centuries, and examines the impact of the science on language reform, education, industry, research, culture, society, and politics. Throughout the book, Professor Reardon-Anderson sets the advance of chemistry in the broader context of the development of science in China and the social and political changes of this era. His thesis is that science fared well at times when a balance was struck between political authority and free social development. Based on Chinese and English sources, the narrative moves from detailed descriptions of particular chemical processes and innovations to more general discussions of intellectual and social history, and provides a fascinating account of an important episode in the intellectual history of modern China.

Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.