Giant Of Mesabi: Rolt Matthews is as solid and as strong as Minnesota's famed Iron Range, and the mines he controls have made him a fortune. But he'll need a soft touch to convince beautiful Alanna Powell that she's his one and only. . .and make her his forever. The Thawing Of Mara: Now that's an interesting nickname. Financial company CEO Sinclair Buchanan is known as. . .Sin. Mara Prentiss just wishes she didn't have to rent her Pennsylvania cottage to him, even if it's perfect for weekend getaways. Will he be staying alone? Since she mentioned it, no. And if Mara's free, so is he.

Izzy Gallo has never been described as a member of the weaker sex. She’s a woman who doesn’t take shit from anyone. Growing up with four older overprotective brothers has hardened her, making her a force to be reckoned with. Against the wishes of her two brothers, Joe and Mike, Izzy takes a weekend trip to Bike Week in Daytona, turning her world upside down. Over her head, in a world she doesn’t understand, there’s only one man who can save her. James Caldo has dedicated his life to protect and serve as a member of the DEA. He’s cocky, overbearing, and doesn’t take no for an answer – the Gallo men have nothing on him. When their paths cross, James makes Izzy question everything she believes about completely surrendering to the opposite sex. Does James have what it takes to overpower the headstrong Izzy, capturing her heart forever?

Lyrical, hilarious, and heartbreaking collection exploring Asian American identity, love, community, and power. In the aftermath of a messy divorce, Frances Kai-Hwa Wang writes in the hope of beginning to build a new life with four children, bossy aunties, unreliable suitors, and an uncertain political landscape. The lyric essays in You Cannot Resist Me When My Hair Is in Braids deftly navigate the space between cultures and reflect on lessons learned from both Asian American elders and young multiracial children, punctuated by moments rich with cultural and linguistic nuance. In her prologue, Wang explains, "Buddhists say that suffering comes from unsatisfied desire, so for years I tried to close the door to desire. I was so successful, I not only closed the door, I locked it, barred it, nailed it shut, then stacked a bunch of furniture in front of it. And now that door is open, wide open, and all my insides are spilling out." Full of current events of the day and #HashtagsOfTheMoment, the topics in the collection are wide ranging, including cooking food to show love, surviving Chinese School, being an underpaid lecturer, defending against yellow dildos, navigating immigration issues, finding love in a time of elections, crying with children separated from their parents at the border, charting the landscape of frugal/hoarder elders during the pandemic, witnessing COVID-inspired anti–Asian American violence while reflecting on the death of Vincent Chin, teaching her sixteen-year-old son to drive after the deaths of Trayvon Martin and George Floyd, and trusting the power of writing herself into existence. Within these lyric essays, some of which are accompanied by artwork and art installations, Wang finds the courage and hope to speak out for herself and for an entire generation of Asian American women. A notable work in the landscape of Asian American literature as well as Midwest and Michigan-based literature, You Cannot Resist Me When My Hair Is in Braids features a clear and powerful voice that brings all people together in these political and pandemic times.

** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.

Iryss Dulay has been best friends and next door neighbors with Courtney King all her life. But along with Courtney, comes her twin brother Cory, whom happens to be the school's number one heartthrob. But, Iryss doesn't like Cory, and she's probably the only girl in school who doesn't; minus Courtney, of course. Due to a little prank played in class one day, Iryss and Cory find themselves in a "I'm better than you" game. This game consist of sexual teasing, flirting, and taunting. Who will be victorious? Which guilty party will be left lovestruck?

'My body was being torn apart, and my stomach felt as if it exploded. The pain was excruciating, and I was aware that I was dying... 'Mom?' My vision was murky, but I could see her face. It was bloody, and her eyes were large and full of fear. Her voice calmed. 'Get out of the car, Attie.' Her words sounded crisp and clear. I looked into the backseat in search of Melody and found her lying covered in blood in a twisted heap on the floor. I turned my attention back to my mother and out of the corner of my eye saw fire. 'Get out, Attie!' 'Mom?' Everything went dark.' Attie Reed should have died in the wreck that stole the lives of her mother and best friend. But her life was spared. Why? When Attie moves to Oklahoma to stay with the Bennetts for the summer, she hopes she has left her nightmares behind. But her battle is far from over, and Riley Bennett steps forward to help her fight the nighttime monsters. As the battle wears on, Riley begins fighting monsters of his own: his feelings for Attie. And Attie realizes she must begin to face the monsters of the night herself if she wants to conquer them for good. Can Attie's life be Salvaged?

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon