Isometric DOT Paper Portrait Notebook feature 120 pages 6"x9". If you're the best at your job then why not show everyone to trust you with this trusty writing journal as you write down your plans for greatness.

From a bestselling Italian author comes a sharply observed new mystery set in the seedy underworld of 1970s Milan Giorgio Faletti's first thriller, I Kill, took Europe by storm, selling over five million copies. The Corriere della Sera, Italy's leading newspaper, crowned him "the greatest Italian writer." In 2010, with the explosive publication of A Pimp's Notes, Faletti won international celebrity as a writer of world-class, tightly wound, psychologically nuanced thrillers. It's 1978. Italy has just been shocked by the kidnapping of the politician Aldo Moro by the left-leaning terrorist group the Red Brigades. In Milan, the upper class continues to amuse itself in luxury restaurants, underground clubs, and cabarets. This is Bravo's milieu. Enigmatic and cynical, Bravo makes his living catering to the tastes, fantasies, and fetishes of the wealthy and depraved. When the mysterious Carla enters his life, what begins as a clandestine romance quickly becomes a nightmare that will transform Bravo into a man wanted by the police, by organized crime, and even by the Red Brigades. As the web around him tightens, Bravo will be forced to confront the violence of the times in which he lives as well as his own connections to the political and criminal networks that control contemporary Italy.

Weekly Action Planner, feature 120 pages with a matte finish cover. Perfect for note taking, diary entry, journal writing, to do list or daily schedules. If you're the best at your job then why not show everyone to trust you with this trusty writing journal as you write down your plans for greatness.

Handwriting Practice Paper for Kids Notebook with Dotted Lined Sheets for K-3 Students 120 pages 6"x9". If you are the best at your job then why not show everyone to trust you with this trusty writing journal as you write down your plans for greatness.

In the intriguing novel The Pimp and the Preacher, former hustler Clyde Robinson learns the inner secrets of pimping the church and vows to expose its devious ministers. After spending more than twenty years behind bars, Clyde Robinson, otherwise known as Pretty Boy, is being released from prison. When asked what he is going to do when he gets out, Clyde informs his fellow inmates that his plan is to go back to the only game he knows, running women a.k.a. "pimping". After much laughter, several inmates tell Clyde to update his game and get with the latest hustle. Clyde questions what that is and is told by another inmate that it is those five magical words that no one can contest, "I've been called to preach." After reading The Pimp and the Preacher, one may ask if this is just a scandalous novel or if it is possibly true. The real question is "Who's pimping who?"

When hundreds gathered in 1970 for the UK's first women's liberation conference, a movement that had been gathering strength for years burst into a frenzy of radical action that was to transform the way we think, act and live. In the 40 years since then, the feminist movement has won triumphs and endured trials, but it has never weakened its resolve, nor for a moment been dull. The Guardian has followed its progress throughout, carrying interviews with and articles by the major figures, chronicling with verve, wit and often passionate anger the arguments surrounding pornography, prostitution, political representation, power, pay, parental rights, abortion rights, domestic chores and domestic violence. These are articles that, in essence, ask two fundamental questions: Who are we? Who should we be? This collection brings together - for the first time - the very best of the Guardian's feminist writing. It includes the newspaper's pioneering women's editor, Mary Stott, writing about Margaret Thatcher, Beatrix Campbell on Princess Diana, Suzanne Moore interviewing Camille Paglia, and Maya Jaggi interviewing Oprah Winfrey; there's Jill Tweedie on why feminists need to be vocal and angry, Polly Toynbee on violence against women, Hannah Pool on black women and political power, and Andrea Dworkin writing with incendiary energy about the Bill Clinton sex scandal. Lively, provocative, thoughtful and funny, this is the essential guide to the feminist thinking and writing of the past 40 years - the ultimate portrait of an ongoing revolution.

Book Two in Robert Westbrook's epic "Hollywood Noir" Torch Singer Thriller series. “An Almost Perfect Ending ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion.” Daily Mail Book Two, An Almost Perfect Ending opens with sultry heroine Sonya Saint-Amant at the height of her career—a glittering, triumphant appearance at Ciro’s, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career . . . if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder . . . “Pacy and unstoppable, the second book in the The Torch Singer series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go.” Evening Standard “The Torch Singer exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down . . . and watching it happen is not just compulsive—it’s addictive and unmissable.” Event Magazine “Robert Westbrook is a born storyteller and a bit of a magician.” Ally Sheedy Ambition, blackmail, murder . . . THE TORCH SINGER is an unforgettable journey through the shadowlands of fame.