Genuine art has the power to awaken and liberate. The renowned meditation master and artist Chögyam Trungpa called this type of art "dharma art"—any creative work that springs from an awakened state of mind, characterized by directness, unselfconsciousness, and nonaggression. Dharma art provides a vehicle to appreciate the nature of things as they are and express it without any struggle or desire to achieve. A work of dharma art brings out the goodness and dignity of the situation it reflects—dignity that comes from the artist’s interest in the details of life and sense of appreciation for experience. Trungpa shows how the principles of dharma art extend to everyday life: any activity can provide an opportunity to relax and open our senses to the phenomenal world. An expanded edition of Trungpa's Dharma Art (1996), this book includes a new introduction and essay.

This first book of the series, contains the theory and technique on how to recognize your own presence and your connectedness to everything else, experiencing oneness, through the state of awareness. Making emphasis on how to clear the soul from any blockages, emotions or other filters that may affect that experience of recognizing the true self.

A Course in Miracles is the acclaimed spiritual guide that teaches the way to universal love and peace is by undoing guilt through forgiving others. The "miracles" of the title refers to shifts in perception from fear to love, which fosters the healing and sanctification of relationships. Although expressed in terms of traditional Christianity, this life-changing work constitutes nonsectarian, universal spiritual teachings. The three-part approach begins with an explanation of the course's theory and the development of the experience of forgiveness. The second consists of a workbook, comprising 365 lessons — an exercise for each day of the year — intended to influence students' perceptions. The third section presents a manual for teachers, in which the question-and-answer format provides responses for likely inquiries as well as definitions for terms used throughout the course. Written by Dr. Helen Schucman, a clinical and research psychologist, and edited by her colleague at Columbia University, Dr. William Thetford, from 1965 to 1970, A Course in Miracles has been translated into more than 20 languages and sold millions of copies around the world.

"Dharma art" refers to the creative works that spring from the meditative state of directness, unselfconsciousness and nonagression. This book examines Trungpa's teachings and emphasises the importance of craft, and the development of the skills and knowle

＝＝＝＝＝＝＝＝＝＝ 勘误敬请参照奇迹中文部网站。网站刊登勘误后，一周内电子书将自动更新。 ＝＝＝＝＝＝＝＝＝＝ 《奇迹课程》新译本，乃是根据作者海伦·舒曼博士所委托的「心灵平安基金会」2007年所出版的「全集」，也是原译者若水女士在「教」「学」本课程十年之後再次出发的精心译作。 全书分为三册： 第一册：〈正文〉； 第二册：〈学员练习手册〉； 第三册：〈教师指南〉丶〈词汇解析〉以及〈补编〉的「心理治疗」与「颂祷」二文。 新译本网罗了《奇迹课程》所有的正式文献，使奇迹读者从此再无沧海遗珠之憾。 〈正文〉提出整个思想体系中的基本概念。〈学员练习手册〉共有三百六十五课，以一年为期，一天一课。〈教师指南〉乃是答覆奇迹学员最常提出的问题。〈补编〉则是海伦．舒曼博士晚年的笔录，根据奇迹理念延伸而出的补充教材。 详细简介请看这里：http://goo.gl/y6A2F6

Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography. Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters—Manet, Seurat, and Cezanne—who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.

The JCIM derives from the Hugh Lynn Cayce version of the Course, which was completed by Helen Shucman and Bill Thetford in 1972. Later editing by others removed about 25% of the material contained in the first five chapters and made numerous editorial changes which affected both the tone and the content of the message. Many students consider study of the unabridged JCIM version to be indespensible in their curriculum.Text only. This edition does not include the Workbook or the Teachers' Manual.There is a good explanation of the JCIM on our website at http://jcim.net/sacredsource.html. 306 pages plus 102 page appendix comparing the JCIM with the popular commercial version of the Course.