Dictionaries of national biography are a long-established and significant genre of biographical and historical writing, existing in many forms across the globe. This book brings together practitioners from around the English-speaking world to reflect on national biographical dictionary projects' recent cultural journeys, and the challenges presented to them by such developments as the transition to a digital environment, a new alertness to the need to represent diversity, and the rise of transnationalism. Exploring their paths forward, the chapters of this book collectively make a powerful argument for the continued value and importance of large-scale collaborative biographical dictionary research.

Dictionaries of national biography are a long-established and significant genre of biographical and historical writing, existing in many forms across the globe. This book brings together practitioners from around the English‑speaking world to reflect on national biographical dictionary projects’ recent cultural journeys, and the challenges presented to them by such developments as the transition to a digital environment, a new alertness to the need to represent diversity, and the rise of transnationalism. Exploring their paths forward, the chapters of this book collectively make a powerful argument for the continued value and importance of large‑scale collaborative biographical dictionary research.

Long before the hit TV show E.R., emergency room doctor Mark Brown decided that the world just had to know about real life in a hospital's E.R. The emergency room is a cauldron of human emotions. The anguish, fear, need, and gore is wearing. As the protective layer of the self is weakened, the pain seeps through and begins to stain the soul. The protective layer grows thicker. But the patients’ needs call out to a sensitive heart, and a balance is struck. Survival in this place requires a deep kindness nestled in a very dark sense of humor, and a strong faith tempered with cynicism. The people who work in this place refer to it as the Pit. What follows is a collection of true stories from all over the country about what the ER doors bring. These stories are irreverent, funny, horrifying, and heartbreaking. They will buffet you. These stories are presented randomly, not neatly categorized as one might desire but in the disorderly manner in which the doors might bring them. They are written not by writers and reporters but in the words of the doctors, nurses, and paramedics who were there.—From the Introduction

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Now in paperback, this global bestseller is an engaging and informative read on the history of a diverse array of countries. Global histories tend to be written from the limited viewpoint of a single author and a single perspective, which results in an inevitable bias. In this book, however, twenty-eight different writers and scholars from around the world contribute, giving engaging, often passionate accounts of their own nation’s history. The countries featured in Histories of Nations have been selected to represent every continent and type of state: large and small; mature democracies and religious autocracies; states that have existed for thousands of years and those born as recently as the twentieth century. Each of these countries has a different relationship with history. In the United States, for example, the myth of the nation’s “historylessness” remains strong, but in China history is seen to play a crucial role in legitimizing three thousand years of imperial authority. “History wars” over the content of textbooks rage in countries as diverse as Australia, Russia, and Japan. Some countries, such as Iran or Egypt, are blessed—or cursed—with a glorious ancient history that the present cannot equal; others, such as Germany, must find ways of approaching and reconciling the pain of the recent past. Original, thought-provoking, and handy in its new paperback format, Histories of Nations is a crucial primer for the Global Age.

We've all sung it a thousand times, and most of us know at least the first verse by heart. "America the Beautiful" has been called a hymn, a prayer, even the "national heartbeat set to music." Numerous proposals and half a dozen bills in Congress have tried to replace our national anthem, "The Star-Spangled Banner," with this more lyrical, less militaristic song. But who knows the story behind the song? In America the Beautiful, Lynn Sherr tells the story of Katharine Lee Bates, a poet and pioneering young English professor at the newly established Wellesley College, who penned "America the Beautiful" at age 33, as she gazed over the glorious panorama from the top of Pike's Peak, Colorado. The poem, published two years later on July 4, 1895, struck a chord. Americans embraced it and immediately set it to music, trying out at least 74 different melodies. There were even Mexican, Canadian, and Australian versions. Analyzing the lyrics of "America the Beautiful" and the story of Katharine Lee Bates's unusual life, Lynn Sherr opens a window onto the shifting world of late 19th century America. She explores the lingering impact of the Civil War and the dramatic developments in commerce and technology, which shaped the American Century and the popularity of one brilliant, stirring song.

Eight-year-old Margaret Pokiak has set her sights on learning to read, even though it means leaving her village in the high Arctic. Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools. At school Margaret soon encounters the Raven, a black-cloaked nun with a hooked nose and bony fingers that resemble claws. She immediately dislikes the strong-willed young Margaret. Intending to humiliate her, the heartless Raven gives gray stockings to all the girls — all except Margaret, who gets red ones. In an instant Margaret is the laughingstock of the entire school. In the face of such cruelty, Margaret refuses to be intimidated and bravely gets rid of the stockings. Although a sympathetic nun stands up for Margaret, in the end it is this brave young girl who gives the Raven a lesson in the power of human dignity. Complemented by archival photos from Margaret Pokiak-Fenton’s collection and striking artworks from Liz Amini-Holmes, this inspiring first-person account of a plucky girl’s determination to confront her tormentor will linger with young readers.