A scheming American capitalist is found dead in the garden of his country house. Why is the dead man not wearing his false teeth and why is his young widow seemingly relieved at his death? 'The Lady in Black', has a disarming effect on the refreshingly fallible and imaginative Trent, in this classic detective story that twists and turns.

Between what matters and what seems to matter, how should the world we know judge wisely? When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up-without making one loyal friend to mourn him, without doing an act that could help his memory to the least honor. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth, too, shuddered under a blow. In all the lurid commercial history of his country there had been no figure that had so imposed itself upon the mind of the trading world. He had a niche apart in its temples.

The murder of a sadistic philanthropist sparks off an elaborate investigation led by Philip Trent, who had been painting the portrait of the victim. Two subsequent murders and the disappearance of an actress provide subsidiary mysteries in this inventive tale, which sees Trent in an elaborate maze created by ingenious criminal schemes.

Winner of the John Gilmary Shea Prize The Council of Trent (1545–1563), the Catholic Church’s attempt to put its house in order in response to the Protestant Reformation, has long been praised and blamed for things it never did. Now, in this first full one-volume history in modern times, John W. O’Malley brings to life the volatile issues that pushed several Holy Roman emperors, kings and queens of France, and five popes—and all of Europe with them—repeatedly to the brink of disaster. During the council’s eighteen years, war and threat of war among the key players, as well as the Ottoman Turks’ onslaught against Christendom, turned the council into a perilous enterprise. Its leaders declined to make a pronouncement on war against infidels, but Trent’s most glaring and ironic silence was on the authority of the papacy itself. The popes, who reigned as Italian monarchs while serving as pastors, did everything in their power to keep papal reform out of the council’s hands—and their power was considerable. O’Malley shows how the council pursued its contentious parallel agenda of reforming the Church while simultaneously asserting Catholic doctrine. Like What Happened at Vatican II, O’Malley’s Trent: What Happened at the Council strips mythology from historical truth while providing a clear, concise, and fascinating account of a pivotal episode in Church history. In celebration of the 450th anniversary of the council’s closing, it sets the record straight about the much misunderstood failures and achievements of this critical moment in European history.

Get to know debonair sleuth Philip Trent in the first novel in which the beloved detective ever made an appearance. In Trent's Last Case, author E.C. Bentley pulls off a remarkable feat -- a detective novel that is a sophisticated and hilarious send-up of the detective fiction genre! A must-read for die-hard fans of detective stories, or for anyone craving an entertaining whodunit.

The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.