Featuring the snowy egret, wild turkey, brown pelican, screech owl, and many others, this new collection gathers 130 select plates from Audubon's octavo edition. Includes an informative introduction to the artist and his work.

'Birds of America' is one of the best known natural history books ever produced and also one of the most valuable - a complete set sold at auction in December 2010 for 7.3 million, which is a world record.

Birds of America, Audubon's ornithological masterpiece, towers above all other works of its kind, vast in its coverage of bird species, each portrait scrupulously accurate in every detail, the apex of the nature illustrator's art. This exciting new volume contains 224 of the best plates selected from the 500 plates in the original work, reproduced original size in full color directly from the rare octavo edition valued at $20,000.00. Included are the snowy egret, wild turkey, brown pelican, screech owl, Carolina parakeet, black-capped chickadee, glossy ibis, mallard, American flamingo and many others. Extraordinary care has been taken to achieve meticulously faithful reproductions, capturing all the nuances of color and detail that make the original plates true works of art. A remarkably handsome, beautifully produced volume, this affordable new edition will be welcomed by fine art and nature lovers, ornithologists and birders, and lovers of fine books. These plates are also an excellent source of full-color bird and nature illustration for art and craft use.

A guide to bird watching covers topics ranging from mythology and birdhouses to the work of Audubon and Angry Birds, combining images with trivia, top ten lists, and bird watching guidelines.

Early in the 1800s John James Audubon conceived of the project of painting all the species of birds in North America. He realized his ambition with the publication of Birds of America. This pioneering work has become an undisputed classic. The 150 prints compiled here in Audubon's Masterpieces from the first Royal Octavo edition conclusively establish the breadth and depth of Audubon's Achievement. The son of a French naval officer and a Creole woman, Audubon was born in Haiti in 1785, educated in France and moved to his family's estate near Philadelphia in 1803. It was there that his love of birds and his desire to draw them became the driving force and consuming passion of his life. Audubon devoted his life to the single pursuit of accurately yet artistically capturing the intricate details and individual splendor of the birds of North America. The enduring popularity and relevance of his work attests to his success both as a scientist and an artist. Today, Audubon's name is synonymous with wildlife preservation, and he is recognized as one of the greatest artists of his time. The 150 prints in this book are known as being among the very best examples of Audubon artistry. From the Carolina Parrot, now sadly extinct, to the rare Whooping Crane and the more common blue birds and woodpeckers, Audubon's portrayals are among the finest examples of wildlife art in existence. This exquisite collection of plates represents Audubon's genius at its very height. Audubon's Masterpieces is without a doubt one of the most magnificent collections of bird prints every published.

America's Other Audubon chronicles the story of Genevieve Jones, her family, and the making of an extraordinary nineteenth-century book, Illustrations of the Nests and Eggs of Birds of Ohio. At the age of twenty-nine, Genevieve Jones, an amateur naturalist/artist and daughter of a country doctor, visited the 1876 Centennial World's Fair in Philadelphia, where she saw Audubon's paintings in Birds of America on display. His artwork inspired her to undertake the production of a book illustrating the birds nests and eggs that Audubon neglected to include in his work. Her parents were reluctant to support the undertaking of such an ambitious and expensive project until Genevieve became despondent over a broken engagement. Concerned over her fragile mental state, they encouraged her to begin the book as a distraction. Her brother collected the nests and eggs, her father paid for the publishing costs, and Genevieve and her girlhood friend learned lithography and began illustrating the specimens. The book was sold by subscription in twenty-three parts. When part one of Genevieve's work was issued, leading ornithologists praised the illustrations, and Rutherford B. Hayes and Theodore Roosevelt added their names to the subscription list. One reviewer wrote: It is one of the most beautiful and desirable works that has ever appeared in the United States upon any branch of natural history and ranks with Audubon's celebrated work on birds. Then, suddenly, Genevieve died of typhoid fever after personally completing only five of the illustrations. Her family took up the completion of the work in her memory. They labored for seven years until the book was completed in 1886; collecting nests and eggs, drawing lithographs on stone, and hand coloring fifty copies of each illustration, and writing the field notes for each species of bird. Both the brother who collected the nests and eggs and wrote the field notes, and the mother who completed the drawings on stone and hand coloring, were stricken with typhoid fever two years after Genevieve's death and nearly died. In spite of serious damage to their health, they never gave up and labored until the book was finished. The father covered the publishing costs, which were higher than had been anticipated and were not covered by the subscription price, and ultimately lost his entire retirement savings completing the task in his daughter's memory. The mother lost her eyesight at the end of her life from the effects of typhoid fever and long hours of straining to draw and color the nests and eggs. But neither parent ever complained and considered their work on the book the most important accomplishment of their lives. When the mother's copy of the volume was exhibited on the Chicago World's Fair in 1893, it was awarded a bronze medal. Only 90 copies of the book were produced and fewer than 20 have been located today in libraries or in private collections. America's Other Audubon includes a foreword by the Curator of Natural-History Rare Books at the Smithsonian, Leslie Overstreet, a prologue and introduction by researcher and writer Joy M. Kiser (with archival photographs of the family and original advertisements and ephemera from the publication and sale of the book), the 68 original color plates of nests and eggs, plus selected field notes, a key to the eggs, and a key to the birds scientific and current common names (which have changed since the book first published in the nineteenth century). Joy Kiser has been friends with the Jones ancestors for fourteen years and has access to family photographs and documents that the general public has never seen. The Joneses story has never been fully told and no other author is better prepared to tell it.

John James Audubon came to America as a dapper eighteen-year-old eager to make his fortune. He had a talent for drawing and an interest in birds, and he would spend the next thirty-five years traveling to the remotest regions of his new country–often alone and on foot–to render his avian subjects on paper. The works of art he created gave the world its idea of America. They gave America its idea of itself. Here Richard Rhodes vividly depicts Audubon’s life and career: his epic wanderings; his quest to portray birds in a lifelike way; his long, anguished separations from his adored wife; his ambivalent witness to the vanishing of the wilderness. John James Audubon: The Making of an American is a magnificent achievement.